Faculty Projects Exhibition 2018 | September 14 – October 13

bamboo frames and plastic containers with audio electronics

Partial installation view of the Flying Monks on the Jib and Train by Steve Ducklow and Eric Leonardson, on view at Sullivan Galleries until October 13, 2018

Works on View at the Sullivan Galleries

September 14 – October 13

Reception: Friday, September 28, 6:00–9:00 p.m.
33 S. State St., 7th floor
Free and open to the public
Tuesday–Saturday, 11:00 a.m.–6:00 p.m.

Public Conversations and Activations

Over the duration of the Faculty Project Exhibition, Sullivan Gallery will serve as a site for activities engaging visitors in the interrelationships of sound, media, and ecology.

Of Sound and Site
Saturday, September 22, 1:00–2:00 PM

Artist talk and listening session with Eric Leonardson and Anthony Janas. The Flying Monks “perform” using multiple oscillator tones that reflect and combine with physical structure of the Sullivan Gallery. Created for choreographer Fujima Yoshinojo (Rika Lin), transform the space into a temporary sensory experience of aural architecture. Janas will briefly discuss his outdoor sound activities, inviting gallery visitors to “A Prairie In the Lake,” a nighttime soundwalk with listening stations at 7:00–10:00 PM at Northerly Island Park, 1521 S. Linn White Drive, Chicago. This event is supported by the Chicago Park District’s Night Out In the Parks series, organized by the Midwest Society for Acoustic Ecology. More information at mwsae.org/.

Artists’ Statement
Attempting to transfer shared sites of wonder, or anxiety, or both into the gallery, I draw from personal history, selecting artifacts to complement what would be seen, read, spoken, heard and shared. Connecting my haptic, corporeal way of exploring or hacking my day-to-day life and the detritus that accumulates, I use a range of methods, from drawing to soundwalking to radio and Internet transmissions to live performance with electronics and readily available objects, to make and think about the city, including its non-human life in the air, on land and within the water as soundscapes. This, in turn, may reflect on the role of gallery as a site for sound practice; for public engagement, a comment on the function of place and space in cohering agency in a culturally shifting and fluid world.”—E. Leonardson

Faculty Projects is an annual exhibition that presents work by SAIC faculty who have recently completed sabbatical and other leave projects. By sharing their current work with the school community, faculty can communicate how their research and practices relate to the local, national, and international art and design communities. Featuring work by: Jesse Ball, Tirtza Even, BJ Krivanek, Alan Labb, Eric Leonardson, Nicholas Lowe, Frédéric Moffet, Peggy MacNamara, Peter Power, Geoffrey Alan Rhodes, Sarah Ross, Brian Sikes, Christoper Sullivan, and Frances Whitehead. Curated by Graduate Curatorial Assistants Giannella Ysasi Tavano (MAAAP 2019) and Shannon Herbert Waldman (Dual MA 2020).” Source: http://www.saic.edu/sullivangalleries/currentschedule/

Masters International Media Cultural Workshop

In mid-June, 2018 I led a 3-day workshop for over 20 graduate students of the International Media Cultural Work program at the Dieburg Media Campus of Hochschule Darmstadt. Their prompt, “How do you actively engage others in listening for everyday sounds,” was explored through ear cleaning exercises, soundwalking, site visits, and discussion, then realized for public performance in soundwalks led by the students in the finissage of their exhibition on Sunday, June 24 at the Rathaus and Museum Schloss Fechenbach.

Ragdale Residency | February 2018

trees, snow, house

The Ragdale House at sunset, photo by Eric Leonardson © 2018

The start of this new year brings a special time for peaceful reflection, planning, performing, production, and fellowship during my 25-day residency at Ragdale. This is my third residency here since 2015. Ragdale is an interdisciplinary artists’ community established in 1976 in Lake Forest, Illinois by poet Alice Judson Hayes, the granddaughter of architect Howard Van Doren Shaw.

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Talk About for Taking the Waters | Eco Design Riverworks Chicago at SAIC

Taking the Waters | Eco Design Riverworks Chicago | School of the Art Institute of Chicago
Oct 30th – Nov 7th
33 S State Street 12th Floor

An interactive transient external partnership sound mapping and community engagement series of classes that visualize and reimagine a regenerative world.

Talk About for Taking the Waters
Monday Nov. 6
12:15 -12:45 PM, AIADO exhibit space
Eric Leonardson, SOUND; Linda Keane, AIADO
FISH Hotel Raffle to Follow
Conversation with Sound and Eco Design Students

TALK ABOUT2

poster

Taking-the-Watersfin

Sound + Environment University of Hull | The Frequent Listener

I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.

I look forward to meeting many World Forum for Acoustic Ecology (WFAE) members at the conference, and its two internationally renowned keynote speakers, Chris Watson and Leah Barclay. Continue reading

Farm-to-Fork Dinner Waste Not, Want Not on May 18

image of sprouting seed

Ryan Griffis and Sarah Ross, Research photograph for A Great Green Desert, 2016.

I am serving up some sounds for a special dinner on Thursday, a part of the exhibition The Earth Will Not Abide. Nourish your body and feed your mind with conversation around the politics of sustainability. 

Thursday, May 18, 2017 – 6:00PM to 8:00PM
Gallery 400
400 S. Peoria St.
Chicago IL

Sorry, the RSVP has closed. Please see the exhibition and consider attending the upcoming forum, This Land/That Land Symposium.

The dinner will explore topics of food waste and our collective relationship to agriculture. Nourish your body with a farm-to-fork prepared meal by Chef Abra Berens and feed your mind with conversation around the politics of sustainability. More…

Go at Art Institute of Chicago

Sound composition created for the imageexhibition Go in the Modern Wing of the Art Institute of Chicago.

February 23–June 4, 2017
Modern Wing, Abbott Galleries 182–184

Art Institute of Chicago
159 East Monroe Street
Chicago IL 60603

My audio composition reflects and embodies the sensation of speed, rapid technological change, and cacophony using selected works from the canon of 20th Century music. These are mixed with my own sound compositions and recognizable real world sounds that document experiences, sensations, and devices for acceleration and breaking barriers of time and space. Many are iconic of artists’ interests in using technologies of speed, echoing the visual and kinetic artworks on display.

 

Invisible Places 2017 Call For Submissions

The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.

The conference dates are April 7–9, and location is Sao Miguel Island, Azores.

Keynote speakers are Hildegard Westerkamp and Sam Auinger.

Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!

radioCona:0.2425 FM Soundart Exhibition Rebroadcast on WGXC 90.7-FM

Listen to “SoundTent At Camp Sherwin” and my curated set of works for the radioCona:0.2425 soundart exhibition from Ljubljana, rebroadcast on WGXC 90.7-FM Wave Farm Radio, New York.

August 1 – 5, 2016 every night 12.00 – 6.00 (UTC/GMT- 4)

WGXC 90.7-FM schedule.

Pop-out Listen Live Player.

About the exhibition:

This edition of radioCona:0.2425 aims at reflecting and shifting precisely this ‘unperceived’ remainder, making a leap to move from the unit of time to the notion of space, toward perceiving space, toward perceiving, capturing, and composing sounds and soundscapes, and ultimately toward creating autonomous narratives.

The radioCona:0.2425 soundart exhibition was curated by Francisco Lopez, Elena Biserna, Brane Zorman, Irena Pivka, and Jasmina Založnik. Find details about my curatorial selections here.