Saturday, April 28 at 10 AM – 1 PM EDT
Light Box, 8641 Linwood St, Detroit, Michigan 48206
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It is my great pleasure to announce that the latest edition of Soundscape: The Journal of Acoustic Ecology has been released by the World Forum for Acoustic Ecology.
Soundscape, Volume 16 is the second of a pair of issues sharing the theme of guest editor Jay Needham, “Sounds Emergent: Diverse Ecologies.” This edition celebrates the life and work of Pauline Oliveros with articles by Edward Shanken, Yolande Harris, Seth Cluett, Tomie Hahn and Stephan Moore. Also included are reviews and commentary by Honna Veerkamp, Maile Colbert and Heather Contant and an extended article on augmented reality audio by Leah Barclay. My own report touches on various WFAE activities throughout 2017 including affiliate news and endorsed events and conferences. Read more on our announcement and download the PDF.
Our panel discussion for the Balance-Unbalance 2017 “Sense of Place” conference in Plymouth, UK streams on YouTube Live. Advances in Eco-Sensing and the Soundscape: A Virtual Panel takes place at 2:20-3:20pm BST (8:20-9:20am US CDT), on Wednesday, August 23.
I’ll be leading a panel with Lindsey French and Linda Keane at The School of the Art Institute of Chicago, sound and media artists Leah Barclay in Brisbane, Amanda Gutiérrez in Mexico City. Grant Smith of SoundCamp will facilitate on-site in Plymouth, UK.
Their individual and combined efforts engage and activate students and public communities in design of urban soundscapes using virtual environments, social codes of immigrant communities, river listening, soundwalking, plant communication, art-science collaborations, and new media.
5801 N. Western Ave.
Saturday, June 24
7:30 – 9:30 PM
Big thanks to the Chicago Parks Foundation for posting the June 1st, “Soundwalking in Chicago Parks,” interview highlighting the Midwest Society for Acoustic Ecology’s Night Out In the Parks soundwalk series, employing local teaching artists with support of the Chicago Park District.
I describe how our thematically-focused soundwalks can serve as immersive, mindful ways to entertain, research, and discover a rich variety of meanings and interrelationships in one’s soundscape.
It is my pleasure to announce the next set of soundwalks led by Chicago teaching artists, alum of the School of the Art Institute of Chicago, and the Midwest Society for Acoustic Ecology. The Summer Soundwalks In The Parks Series kicks off at 5:00 PM on Saturday, May 8 at Ping Tom Park with “A Sonic Taste of Chinatown” led by Amanda Gutierrez. Address: 1700 S. Wentworth Ave. (meet at the Pagoda)
An invitation to Midwest Society for Acoustic Ecology’s next soundwalk in the Ryerson Woods Conservation Area.
1:00 – 3:00 p.m. Sunday, November 20
Brushwood Center at Ryerson Woods
21850 N. Riverwoods Rd.
Riverwoods, IL 60015
$3/person. Register here or call 224.633.2426 to register by phone.
On this soundwalk I will be engage participants in their experience of the wooded soundscape, and making a sound map of the place, bounded by the Des Plaines River and River Woods Road. A soundwalk, as I offered in this piece, may be conducted in many different ways.
The short “What is a soundwalk?” video offers a media introduction on this practice.
Listening ahead, the final three soundwalks in Midwest Society for Acoustic Ecology’s 2016 Night Out In the Parks series happen in December, in these parks on these dates, with these teaching artists: