Workshop: Eco-sensing and the Soundscape at Light Box

Eco-sensing and the Soundscape Workshop

Saturday, April 28 at 10 AM – 1 PM EDT

Light Box, 8641 Linwood St, Detroit, Michigan 48206

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Description

Beyond speech and music, there is a world of sound. Listening and recording those sounds outside opens our ears and minds to their meaning and value. Come join us on Saturday, April 28 at 10:00 AM for a fun and inventive field recording workshop that will teach you to hear the world in a different way!

Sound artist and acoustic ecologist Eric Leonardson will teach you basics of record sounds in the outdoors, or indoors if weather imposes, with portable devices. He will show how field recording makes material for making new music, sound design, and understanding the world.

About Light Box Arts Center

Light Box is a vital venue for artistic expression and community gathering in Detroit, dedicated to experimentation and education within the broadest, most inclusive definition of ‘performance.’ Its members and collaborators champion the life-giving qualities of art and performance in their own rights, as well as the healing and liberating potentials of art-making.

We believe in the transformative power of art to enliven and build community, to strengthen and amplify individual voices and to foster socio-political justice. By housing multiple artists and projects in a Detroit neighborhood with deep historical and cultural roots, Light Box supports cross-pollination and collaboration, nurturing artistic experimentation & cultural expression by and among diverse communities. The space offers residencies, public showings, workshops, and social forums; incubating and presenting artistic work and programs that challenge, illuminate, and inspire.

DIY Eco-sensing Workshop ISU College of Design


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Master of Design in Sustainable Environments, Iowa State University

On Monday, March 26 I have the honor of being a guest of Iowa State University’s Master of Design in Sustainable Environments, where I will give my talk on Advances in Eco-Sensing and the Soundscape.

This talk discusses several ongoing projects that intersected in 2015, under the name “Eco-Sensing and the Soundscape,” a studio course taught in the fall of 2015 at The School of the Art Institute of Chicago. By connecting concepts and practices of acoustic ecology with the hacking aesthetic of art and technology the course sought to open up possibilities for transdisciplinary collaborations, offer new understandings of our environments and our boundaries, locations, and our roles within them as artists, designers, and listeners. New collaborations and new contexts have developed that extend beyond the classroom and studio, to actively engage public awareness in the ecologies of sound, listening, and environment.

Workshop: Listening Above and Below; Eco-Sensing DIY

Be it for live electronic music or field research, making handheld sensors are core methods and devices for learning about sound maps and embodied sensing through an introduction to “ear cleaning,” soundwalking and hands-on hydrophone making.

One of the goals of this talk and workshop is to draw people from ISU’s music school, design college, and engineering program.

I organized a virtual panel discussion on Advances in Eco-Sensing and the Soundscape for Balance-Unbalance 2017 in Plymouth, Chicago, Brisbane, and New York, archived on video here.

Ragdale Residency | February 2018

trees, snow, house

The Ragdale House at sunset, photo by Eric Leonardson © 2018

The start of this new year brings a special time for peaceful reflection, planning, performing, production, and fellowship during my 25-day residency at Ragdale. This is my third residency here since 2015. Ragdale is an interdisciplinary artists’ community established in 1976 in Lake Forest, Illinois by poet Alice Judson Hayes, the granddaughter of architect Howard Van Doren Shaw.

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Celebrating Pauline Oliveros, Soundscape: The Journal of Acoustic Ecology

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Soundscape: The Journal of Acoustic Ecology Volume 16 “Sounds Emergent: Diverse Ecologies Part II” cover art by Todd Birdsong (2017)

It is my great pleasure to announce that the latest edition of Soundscape: The Journal of Acoustic Ecology has been released by the World Forum for Acoustic Ecology.

Soundscape, Volume 16 is the second of a pair of issues sharing the theme of guest editor Jay Needham, “Sounds Emergent: Diverse Ecologies.”  This edition celebrates the life and work of Pauline Oliveros with articles by Edward Shanken, Yolande Harris, Seth Cluett, Tomie Hahn and Stephan Moore. Also included are reviews and commentary by Honna Veerkamp, Maile Colbert and Heather Contant and an extended article on augmented reality audio by Leah Barclay.  My own report touches on various WFAE activities throughout 2017 including affiliate news and endorsed events and conferences. Read more on our announcement and download the PDF.

Talk About for Taking the Waters | Eco Design Riverworks Chicago at SAIC

Taking the Waters | Eco Design Riverworks Chicago | School of the Art Institute of Chicago
Oct 30th – Nov 7th
33 S State Street 12th Floor

An interactive transient external partnership sound mapping and community engagement series of classes that visualize and reimagine a regenerative world.

Talk About for Taking the Waters
Monday Nov. 6
12:15 -12:45 PM, AIADO exhibit space
Eric Leonardson, SOUND; Linda Keane, AIADO
FISH Hotel Raffle to Follow
Conversation with Sound and Eco Design Students

TALK ABOUT2

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Taking-the-Watersfin

Advances In Eco-Sensing and the Soundscape / Balance-Unbalance 2017

Watch the archived video stream here.

Sound + Environment University of Hull | The Frequent Listener

I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.

I look forward to meeting many World Forum for Acoustic Ecology (WFAE) members at the conference, and its two internationally renowned keynote speakers, Chris Watson and Leah Barclay. Continue reading

Soundwalking & Acoustic Ecology | Chicago Parks Foundation

I thank the Chicago Parks Foundation for the interview and post on June 1st, “Soundwalking in Chicago Parks,” highlighting the Midwest Society for Acoustic Ecology’s Night Out In the Parks soundwalk series, employing local teaching artists with support of the Chicago Park District.

I describe how our thematically-focused soundwalks can serve as immersive, mindful ways to entertain, research, and discover a rich variety of meanings and interrelationships in one’s soundscape.

Soundwalks are free events, held across Chicago by various artists who have relationships with music, dance, socially engaged art and technology, black history, citizen science, nature, and landscape architecture. Teaching artists, many who are alumni of the School of the Art Institute of Chicago,  have their own relationships with the residents of Chicago’s diverse neighborhoods, and with local staff and volunteers, actively engage residents in the care and use of these parks. Given our focus on the ecological practice of soundwalking and listening, residents gain a unique and enhanced understanding of their soundscape that builds deeper relationships with individuals and community.