Balance-Unbalance 2018 New Value Systems | September 20-21

Advances In Eco-sensing and Soundscape: A Virtual Panel 2018 with Eric Leonardson, Dr. Leah Barclay, Alex Braidwood, Lindsey French, Amanda Gutiérrez, and Linda Keane.
15:30-17:00 CEST / 8:30-10:00 CST (Online real time viewing and listening link from Chicago, IL; Brisbane, QLD; Brooklyn, NY; Ames, IA and Milwaukee, WI to be posted.)

Balance-Unbalance 2018 New Value Systems is hosted September 20th and 21st 2018 by The Patching Zone, the City of Rotterdam and partners in Rotterdam, The Netherlands.

This online panel discusses several ongoing projects that began under the name “Eco-Sensing and the Soundscape,” a course taught in the fall of 2015 by Eric Leonardson and Lindsey French, at The School of the Art Institute of Chicago. This studio course connected concepts and applied practices at the intersections of acoustic ecology and the hacking aesthetic of art and technology; opening possibilities for transdisciplinary collaborations and offering new understandings of our environments and our boundaries, locations, and roles within them. Subsequently, numerous collaborations and opportunities have flowed in new contexts and localities. These have grown with support for public engagement in the ecologies of sound, listening, and environment, demonstrating the importance of students and teachers who engage each other as partners in play and learning together, mentoring and activating local communities in the core value of listening. Recognition of this is shifting though it remains if this will be a lasting change with the dynamic and complex circumstances operative now. The panelists joining Leonardson and French are sound and media artists Leah Barclay, Alex Braidwood, Amanda Gutiérrez, and architect Linda Keane. Their individual and combined efforts engage and activate students and public communities in design of urban soundscapes using virtual environments, social codes of immigrant communities, river listening, soundwalking, plant communication, art-science collaborations, and human computer interaction.

The Balance-Unbalance conference brings together artists, designers, scientists, economists, philosophers, politicians, policymakers, sociologists, entrepreneurs and technologists from the world, based on the conviction that greater ecological awareness can be created through joint efforts. The conference focuses on debate, new insights and finding innovative solutions for issues arising from the global climate crisis.

The 2018 theme revolves around New Value Systems. We specifically think of sustainability and social impact as important value indicators. Of course, we will also reflect on the practical, economic and philosophical issues that such new value systems entail. As practical applications, one can think of sustainable retail innovation; social value creation and revitalization of cities; revenue models for creative place makers; the ecological aspects of cryptocurrencies and how to interface new value systems with the current monetary system.

Find the full conference Programme and Proceedings here.

Workshop: Eco-sensing and the Soundscape at Light Box

Eco-sensing and the Soundscape Workshop

Saturday, April 28 at 10 AM – 1 PM EDT

Light Box, 8641 Linwood St, Detroit, Michigan 48206

Facebook Event

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Water-wheel Water Works! 4 Presentation

Archived on the Water-wheel, my presentation for Water Works! 4 on March 18, 2016.

Watch and listen to my co-curators’ Leah Barclay and Ricardo Dal Farra presentations. All presentations are archived at Water-wheel Media Centre.

I presented works by Christina Kubisch & Eckehard Güther, Jay Needham, Christopher DeLaurenti, and Thomas M. Siefert & Lasse-Marc Riek. More details posted here.

Amherst College Copeland Colloquia on Art in Place / the Place of Art

ArtinPlacePosterFallFinalBeginning in January I will be an artist-in-residence at Amherst College. I was selected by faculty at Amherst College to be a Copeland Fellow in their colloquium on “Art in Place/the Place of Art.” The Copeland Fellows for the spring semester also include saxophonist Matana Roberts, filmmaker Catherine Masud, and choreographer Idan Cohen.

The Copeland Colloquium was established in 1971 by Morris A. Copeland, Class of 1917, and his wife, Mary, with the intent “to bring together people of diverse backgrounds and different perspectives to engage with faculty and students at Amherst College in a way designed to promote the cross-fertilization of ideas.” The Copeland Fellows, who often participate in colloquia and other programming on campus, bring to the College a variety of perspectives and interests, enriching the Amherst community.

Read more about the Copeland Colloquia here.
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