Amherst College Copeland Colloquia on Art in Place / the Place of Art

ArtinPlacePosterFallFinalBeginning in January I will be an artist-in-residence at Amherst College. I was selected by faculty at Amherst College to be a Copeland Fellow in their colloquium on “Art in Place/the Place of Art.” The Copeland Fellows for the spring semester also include saxophonist Matana Roberts, filmmaker Catherine Masud, and choreographer Idan Cohen.

The Copeland Colloquium was established in 1971 by Morris A. Copeland, Class of 1917, and his wife, Mary, with the intent “to bring together people of diverse backgrounds and different perspectives to engage with faculty and students at Amherst College in a way designed to promote the cross-fertilization of ideas.” The Copeland Fellows, who often participate in colloquia and other programming on campus, bring to the College a variety of perspectives and interests, enriching the Amherst community.

Read more about the Copeland Colloquia here.
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December 5, Variations VI Performance at Neiman Center, SAIC

Variations VI poster7:00–9:00 pm Wednesday, December 5

Leroy Neiman Center
School of the Art Institute of Chicago
37 S. Wabash Avenue
Chicago IL 60603

Variations VI (1966), for a plurality of sound-systems (any sources, components and loud-speakers) will be performed by students, faculty, and others in the Leroy Neiman Center at The School of the Art Institute of Chicago, on Wednesday, December 5, 2012. Variations VI is one of a set of seven variations composed between 1958 and 1967 by American composer, John Cage (September 5, 1912 — August 12, 1992).

This performance was organized by composer, instrumentalist, and SAIC Faculty member Julia Miller. Projects/Systems/Scores are designed by its performers: Lee Blalock, James Connolly, Anna Friz, Eric Leonardson, Julia A. Miller, Alyssa Moxley, Enid Smith, and Will Soderberg. Located in downtown Chicago, the Neiman Center is SAIC’s first ever campus center, recently opened in May 2012.

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