Works on View at the Sullivan Galleries
September 14 – October 13
Reception: Friday, September 28, 6:00–9:00 p.m.
33 S. State St., 7th floor
Free and open to the public
Tuesday–Saturday, 11:00 a.m.–6:00 p.m.
Public Conversations and Activations
Over the duration of the Faculty Project Exhibition, Sullivan Gallery will serve as a site for activities engaging visitors in the interrelationships of sound, media, and ecology.
Of Sound and Site
Saturday, September 22, 1:00–2:00 PM
Artist talk and listening session with Eric Leonardson and Anthony Janas. The Flying Monks “perform” using multiple oscillator tones that reflect and combine with physical structure of the Sullivan Gallery. Created for choreographer Fujima Yoshinojo (Rika Lin), transform the space into a temporary sensory experience of aural architecture. Janas will briefly discuss his outdoor sound activities, inviting gallery visitors to “A Prairie In the Lake,” a nighttime soundwalk with listening stations at 7:00–10:00 PM at Northerly Island Park, 1521 S. Linn White Drive, Chicago. This event is supported by the Chicago Park District’s Night Out In the Parks series, organized by the Midwest Society for Acoustic Ecology. More information at mwsae.org/.
“Attempting to transfer shared sites of wonder, or anxiety, or both into the gallery, I draw from personal history, selecting artifacts to complement what would be seen, read, spoken, heard and shared. Connecting my haptic, corporeal way of exploring or hacking my day-to-day life and the detritus that accumulates, I use a range of methods, from drawing to soundwalking to radio and Internet transmissions to live performance with electronics and readily available objects, to make and think about the city, including its non-human life in the air, on land and within the water as soundscapes. This, in turn, may reflect on the role of gallery as a site for sound practice; for public engagement, a comment on the function of place and space in cohering agency in a culturally shifting and fluid world.”—E. Leonardson
“Faculty Projects is an annual exhibition that presents work by SAIC faculty who have recently completed sabbatical and other leave projects. By sharing their current work with the school community, faculty can communicate how their research and practices relate to the local, national, and international art and design communities. Featuring work by: Jesse Ball, Tirtza Even, BJ Krivanek, Alan Labb, Eric Leonardson, Nicholas Lowe, Frédéric Moffet, Peggy MacNamara, Peter Power, Geoffrey Alan Rhodes, Sarah Ross, Brian Sikes, Christoper Sullivan, and Frances Whitehead. Curated by Graduate Curatorial Assistants Giannella Ysasi Tavano (MAAAP 2019) and Shannon Herbert Waldman (Dual MA 2020).” Source: http://www.saic.edu/sullivangalleries/currentschedule/
3429 W Diversey Ave #208
Chicago, IL 60647
On the 15th, I perform in the first set with Samuel Burt (daxophone, bass clarinet), Stewart Mostofsky (electronics), and Cristal Sabbagh (dance). For the complete line-up and ASMR appeal, please visit High Zero.
Moving Between Two Or More Places, a work for radio airs on Radiokunst – Kunstradio
Sunday, September 2. 11:03 pm – 11:59 pm (CEST) / 4:03 pm – 4:59 pm (CDT)
Listen to the stream online at ÖRF (Austrian Public Radio)
This work for Kunstradio reimagines and reflects the diversity and relationships of acoustic communications I personally hear and create in urban and suburban soundscapes. My recent travels and residencies in Chicago, Austria, and Germany serve both as a theme and a source of sounds. These tones and noises come from simple handheld and handmade electronic instruments, field recordings, and computer-based audio manipulation.
Over a month-long residency at AIR Krems, a week in Augsburg, and early this year, at the Ragdale artists community, I experimented with many physical and digital objects and materials, and even a piano. Featuring prominently are resynthesized sounds of a public address announcement and passing trains in Vienna, fireworks in Krems, and my tabletop experiments with voice, inductors and electromagnetic fields, and a self-built light-sensing oscillator. Piezoelectric vibration sensors on my larynx and pencil amplified the bodily movements of writing and speech. A friend’s accidental cell phone call and long recorded message, made while she walked steadily at 120 bpm, provided a rhythmic, noisy and humorous artifact of everyday experiences in mobility and wireless transmission.
Some sounds conceal their origins once recorded. The idling boat engine on the Danube River could be a low note on contra bass. Cold winter wind blowing through brittle dried burdock in the prairie, with a faraway train horn, offers an odd perspective; such extremes of distal and proximal sounds, recorded in one place at one time, make it seem artificial.
Two summer outdoor soundscapes also appear. Now in Chicago, different species of cicadas produce a whine very similar to electrical transformers and my digital processes. They mix with the flyovers of air traffic approaching O’Hare International Airport. While both are relentless, soon the cicadas will pass. Outdoors in Augsburg, trams, cars, and lawnmowers dominated while I played my oscillators harmonized with the machinery. My newly invented instrument, the Schaschliktstäben Violin leads us out at this piece’s conclusion.
Please join Stephen Dorocke and me, along with hosts Peter Maunu (guitar, mandolin, violin), Carol Genetti (vocals) and Julian Kirshner (drums), for this week’s installment of Splice live improvised music series.
Wednesday, May 9 at 8:30 p.m.
2100 W Belmont Ave
8641 Linwood St.
Detroit MI 48206
This will be our first public performance for us three together. Chris Reilly works with similar devices to my Springboard plus software-based instruments and visual projections. Ben Miller’s estimable achievements in the Detroit/Ann Arbor post-punk scene, and current performance with his self-deconstructed multi-phonic guitar promises to fill out the sonic splendor of this evening. Continue reading
Following last April’s performance of Quantum Monk II at Link’s Hall, choreographer, Rika Lin and I have been working a new variation for live performance.
“Flying Monks” is the name Rika chose for the set of suspended amplified oscillators I built last year for that performance that also also featured my live performance with the Springboard. While work-shopping the piece we came up with the idea by using sound design and music as an integral part of the choreography.
The start of this new year brings a special time for peaceful reflection, planning, performing, production, and fellowship during my 25-day residency at Ragdale. This is my third residency here since 2015. Ragdale is an interdisciplinary artists’ community established in 1976 in Lake Forest, Illinois by poet Alice Judson Hayes, the granddaughter of architect Howard Van Doren Shaw.