Faculty Projects Exhibition 2018 | September 14 – October 13

bamboo frames and plastic containers with audio electronics

Partial installation view of the Flying Monks on the Jib and Train by Steve Ducklow and Eric Leonardson, on view at Sullivan Galleries until October 13, 2018

Works on View at the Sullivan Galleries

September 14 – October 13

Reception: Friday, September 28, 6:00–9:00 p.m.
33 S. State St., 7th floor
Free and open to the public
Tuesday–Saturday, 11:00 a.m.–6:00 p.m.

Public Conversations and Activations

Over the duration of the Faculty Project Exhibition, Sullivan Gallery will serve as a site for activities engaging visitors in the interrelationships of sound, media, and ecology.

Of Sound and Site
Saturday, September 22, 1:00–2:00 PM

Artist talk and listening session with Eric Leonardson and Anthony Janas. The Flying Monks “perform” using multiple oscillator tones that reflect and combine with physical structure of the Sullivan Gallery. Created for choreographer Fujima Yoshinojo (Rika Lin), transform the space into a temporary sensory experience of aural architecture. Janas will briefly discuss his outdoor sound activities, inviting gallery visitors to “A Prairie In the Lake,” a nighttime soundwalk with listening stations at 7:00–10:00 PM at Northerly Island Park, 1521 S. Linn White Drive, Chicago. This event is supported by the Chicago Park District’s Night Out In the Parks series, organized by the Midwest Society for Acoustic Ecology. More information at mwsae.org/.

Artists’ Statement
Attempting to transfer shared sites of wonder, or anxiety, or both into the gallery, I draw from personal history, selecting artifacts to complement what would be seen, read, spoken, heard and shared. Connecting my haptic, corporeal way of exploring or hacking my day-to-day life and the detritus that accumulates, I use a range of methods, from drawing to soundwalking to radio and Internet transmissions to live performance with electronics and readily available objects, to make and think about the city, including its non-human life in the air, on land and within the water as soundscapes. This, in turn, may reflect on the role of gallery as a site for sound practice; for public engagement, a comment on the function of place and space in cohering agency in a culturally shifting and fluid world.”—E. Leonardson

Faculty Projects is an annual exhibition that presents work by SAIC faculty who have recently completed sabbatical and other leave projects. By sharing their current work with the school community, faculty can communicate how their research and practices relate to the local, national, and international art and design communities. Featuring work by: Jesse Ball, Tirtza Even, BJ Krivanek, Alan Labb, Eric Leonardson, Nicholas Lowe, Frédéric Moffet, Peggy MacNamara, Peter Power, Geoffrey Alan Rhodes, Sarah Ross, Brian Sikes, Christoper Sullivan, and Frances Whitehead. Curated by Graduate Curatorial Assistants Giannella Ysasi Tavano (MAAAP 2019) and Shannon Herbert Waldman (Dual MA 2020).” Source: http://www.saic.edu/sullivangalleries/currentschedule/

People To the River | Eco Boat Cruise | September 11

6:00 PM – 7:30 PM Tuesday, September 11
Chicago Rover Eco-Cruise Series
Chicago Line Cruises, just north of Centennial Fountain at 465 North McClurg Court (on Ogden Slip)
Tickets and information

This evening I will discuss my work with Linda Keane and SAIC students, teaching artists, and Midwest Society for Acoustic Ecology, with Chloe Gurin Sands, heath advocate from the Metropolitan Planning Council, and Carol Ross Barney, FAIA, architect of Chicago’s Riverwalk.

Moving Between Two or More Places | Broadcast Sunday, September 2

Moving Between Two Or More Places, a work for radio airs on Radiokunst – Kunstradio

Sunday, September 2. 11:03 pm – 11:59 pm (CEST) / 4:03 pm – 4:59 pm (CDT)

Listen to the stream online at ÖRF (Austrian Public Radio)

This work for Kunstradio reimagines and reflects the diversity and relationships of acoustic communications I personally hear and create in urban and suburban soundscapes. My recent travels and residencies in Chicago, Austria, and Germany serve both as a theme and a source of sounds. These tones and noises come from simple handheld and handmade electronic instruments, field recordings, and computer-based audio manipulation.

Over a month-long residency at AIR Krems, a week in Augsburg, and early this year, at the Ragdale artists community, I experimented with many physical and digital objects and materials, and even a piano. Featuring prominently are resynthesized sounds of a public address announcement and passing trains in Vienna, fireworks in Krems, and my tabletop experiments with voice, inductors and electromagnetic fields, and a self-built light-sensing oscillator. Piezoelectric vibration sensors on my larynx and pencil amplified the bodily movements of writing and speech. A friend’s accidental cell phone call and long recorded message, made while she walked steadily at 120 bpm, provided a rhythmic, noisy and humorous artifact of everyday experiences in mobility and wireless transmission.

Some sounds conceal their origins once recorded. The idling boat engine on the Danube River could be a low note on contra bass. Cold winter wind blowing through brittle dried burdock in the prairie, with a faraway train horn, offers an odd perspective; such extremes of distal and proximal sounds, recorded in one place at one time, make it seem artificial.

Two summer outdoor soundscapes also appear. Now in Chicago, different species of cicadas produce a whine very similar to electrical transformers and my digital processes. They mix with the flyovers of air traffic approaching O’Hare International Airport. While both are relentless, soon the cicadas will pass. Outdoors in Augsburg, trams, cars, and lawnmowers dominated while I played my oscillators harmonized with the machinery. My newly invented instrument, the Schaschliktstäben Violin leads us out at this piece’s conclusion.

New! Warm-up Show For Re:flexions Festival

A concert evening with:

Enrico Cerrato “PETROLIO”
– Concerto per le Periferie Estreme –
(Asti – electronics / didgeridoo)

ERIC LEONARDSON (Chicago – objects / electronics)
+ JAN KRUML (Kutna Hora – electronics)

FEDERICO DAL POZZO (Torino – electronics)
+ SOFIA BERTOMEU HOIBERG (Murcia – electronics)

Donnerstag, 19.07.18
Beginn: 19:30

projekt…raum am klostereck
Hubert-von-Herkomer-Str. 109/110
86899 Landsberg am Lech
www.facebook.com/events/288041075071291/

Eintritt … nach eigenem Ermessen

info und reservieren:
tel. 01520/2191941

Singing Insects Monitoring Program – Night Out In The Parks 2018

Eric Leonardson's face with Night Out In the Parks text, images, logo Become a citizen scientist with naturalist and insect tracker, Dr. Carl Strang, musician, Rob Frye on birdsongs, and a soundwalk led by me.

Wednesday, July 25 at 7 PM9 PM CDT

Legion Park
3100 W. Bryn Mawr Avenue
Chicago IL 60659

Free and open to the public! All welcome!

Meet at the prairie plant garden south of Bryn Mawr Avenue located between the driveway to Northside College Preparatory High School and the river. Google Map.

Visit Singing Insects Monitoring Program prior to the program to learn some of the calls we’ll be listening for!

Continue reading

re:flexions / sound-art festival 2018

Friday, July 20, I am performing with musicians Anja Kreysing (from Muenster) and Donatella Bartolomei (from Italy) in the re:flexions sound-art festival.

Abraxas
Sommestr. 30
Augsburg, Germany 86156
www.abraxas.augsburg.de/

presented by attenuation circuit

re:flexions / sound-art festival 2018 Teaser from LDX #40 on Vimeo.

13 artists joining for 5 unique collaborations

“For each 30 min long performance, two to three artists collaborate for the very first time. They work on a new composition or improvise together. Therefore resulting in a unique exchange of various experimental and cultural styles.”

Facebook Event

A.I.R. Krems


I am honored to be one of two SAIC faculty awarded a one-month international summer artist’s residency with a studio and living quarters at AIR Krems on the Danube River. Located in the Kunstquartier of Krems, these facilities are provided through the support of The School of the Art Institute of Chicago in an exchange with a consortium of cultural institutions referred to collectively as the Kunstmeile Krems. Krems and the Wachau region of Austria is a UNESCO World Cultural Heritage site. Visit my AIR Krems profile here.

Masters International Media Cultural Workshop

In mid-June, 2018 I led a 3-day workshop for over 20 graduate students of the International Media Cultural Work program at the Dieburg Media Campus of Hochschule Darmstadt. Their prompt, “How do you actively engage others in listening for everyday sounds,” was explored through ear cleaning exercises, soundwalking, site visits, and discussion, then realized for public performance in soundwalks led by the students in the finissage of their exhibition on Sunday, June 24 at the Rathaus and Museum Schloss Fechenbach.

Proceedings of Invisible Places 2017

The proceedings of Invisible Places 2017 | Sound Urbanism and Sense of Place were finally released last month and are free to download!

Get them in a single, exquisitely designed 685-page PDF from http://invisibleplaces.org/#proceedings.

Reflections about our workshop titled, “How do Soundwalks Engage Urban Communities in Soundscape Awareness?” was co-written with fellow Midwest Society for Acoustic Ecology Board members, Amanda Gutierrez and Norman W. Long.

Keynotes by Juhani Pallasmaa, Hildegard Westerkamp, and Sam Auinger are included along nearly 40 papers plus artists talks, soundwalks, workshops, and photos.

Invisible Places took place on 7– 9 April 2017 São Miguel Island, Azores, Portugal.