Water-wheel Water Works! 4 Presentation

Archived on the Water-wheel, my presentation for Water Works! 4 on March 18, 2016.

Watch and listen to my co-curators’ Leah Barclay and Ricardo Dal Farra presentations. All presentations are archived at Water-wheel Media Centre.

I presented works by Christina Kubisch & Eckehard Güther, Jay Needham, Christopher DeLaurenti, and Thomas M. Siefert & Lasse-Marc Riek. More details posted here.

WATER WORKS! Friday-Saturday 18-20 March

waterworks2016I am one of the curators for WATER WORKS! the 2016 Waterwheel online sharing event devoted to water in its social, economic, scientific, and artistic manifestations. Over this weekend people around the world can sign in for free to host or watch events at the Tap.

My four selected works are “Railroad Storm Drain” by Christopher DeLaurenti; “Unter Grund” by Christina Kubisch & Eckehard Güther; “von der rheinquelle bis hafen karlsruhe | rhein_strom,” by Thomas M. Siefert & Lasse-Marc Riek; and Jay Needham‘s “Liquesce 1.”

Our Tap is Water Works! 4, with Ricardo Dal Farra and Leah Barclay. It opens at 22:00 CDT. Again, the Tap is free to sign in and interact with anywhere in the world. Program, dates & times are posted at http://bit.ly/program-WaterWorks.

Over 150 contributors responded with a total of some 260 contributions accessible on the Waterwheel Media Centre. 22 curators assessed the contributions and will present a selection in a series of seven online panels on the Tap on 18-20 March 2016. Join the live streams at http://water-wheel.net/taps-list. 

 

radioCona:0.2425 – FM Soundart Exhibition, February 28 – March 3

 

 

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I curated a selection of works by five artists for the radioCona 0.2425 FM soundart exhibition broadcast and streaming February 28 – March 3, 2016 after nautical twilight 6:16 PM on 88.8MHz FM and live streaming on www.radiocona.si Ljubljana.

This edition of the annual exhibition is dedicated to the Earth’s orbit around the Sun, focusing on the dimension of nighttime radio transmission and the idea of heightened perception that can happen only by withdrawing from daytime rhythms.

In addition, my own “SoundTent At Camp Sherwin” was selected by one of the other curators.

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