— ericleonardson (@eleona) March 16, 2017
Sound composition created for the exhibition Go in the Modern Wing of the Art Institute of Chicago.
February 23–June 4, 2017
Modern Wing, Abbott Galleries 182–184
Art Institute of Chicago
159 East Monroe Street
Chicago IL 60603
My audio composition reflects and embodies the sensation of speed, rapid technological change, and cacophony using selected works from the canon of 20th Century music. These are mixed with my own sound compositions and recognizable real world sounds that document experiences, sensations, and devices for acceleration and breaking barriers of time and space. Many are iconic of artists’ interests in using technologies of speed, echoing the visual and kinetic artworks on display.
Sorry, No Pike: Lilianna Wosko (cello), Christopher Preissing (flute, percussion, electronics), and Eric Leonardson (Springboard) perform at Resistor Chicago. Headlining this new jazz series, “…focusing on in-the-moment improvisation and free jazz sonic manifestations, as well as live experimental music related to the jazz paradigm.”
5053 N. Lincoln Ave.
Chicago IL 60625
BYOB event, $7 suggested donation
On February 1, 2017 it was my great pleasure to introduce the new issue of a newly formatted WFAE Quarterly News announcing the launch of the organization’s rebuilt website, an active blog, and the publication of the WFAE’s first digital journal, Soundscape: The Journal of Acoustic Ecology, Volume 15.
Dear Friends, Happy New Year greetings!
At 6pm Sunday, 8 January I will join the Apple Box Orchestra in a large tribute for Pauline Oliveros, the great female pioneer of electronic music and founder/exponent of Deep Listening, who died at age 84, on 26 November 2016.
287 Spring Street
New York, NY 10013
between Varick and Hudson
The idea is to assemble an “Apple Box Orchestra” consisting of live, telematic and pre-recorded performers throughout the day. Here is Pauline’s description of the piece:
…remembering the instruments I made in San Francisco at the end of the ’50s and remembering I had a piece called “Apple Box.” I had an old apple box I liked and I knew. It was like an old friend as well, because an apple box that has seasoned wood is a very resonant box. I used to amplify the box and put all kinds of things on the box to play: curb scrapers from automobiles, little implements from the kitchen — anything, small little things — and then amplify them, do things with them, make sounds.
Join us for a community procession of Phil Kline’s Unsilent Night. All ages are welcome.
- Friday, 7:30pm – 9:00pm
- High Concept Labs
2233 S. Throop Street, Chicago, IL
- $10 Buy Now
The event is held in collaboration with High Concept Labs and will take place in their studios at Mana Contemporary (2233 S. Throop, Chicago, IL). Entrance and parking is on the east side of the building. For questions regarding accessibility, please call 312-850-0555.
An invitation to Midwest Society for Acoustic Ecology’s next soundwalk in the Ryerson Woods Conservation Area.
1:00 – 3:00 p.m. Sunday, November 20
Brushwood Center at Ryerson Woods
21850 N. Riverwoods Rd.
Riverwoods, IL 60015
$3/person. Register here or call 224.633.2426 to register by phone.
On this soundwalk I will be engage participants in their experience of the wooded soundscape, and making a sound map of the place, bounded by the Des Plaines River and River Woods Road. A soundwalk, as I offered in this piece, may be conducted in many different ways.
The short “What is a soundwalk?” video offers a media introduction on this practice.
Listening ahead, the final three soundwalks in Midwest Society for Acoustic Ecology’s 2016 Night Out In the Parks series happen in December, in these parks on these dates, with these teaching artists:
- Washington Park, Saturday, December 11 led by Norman W. Long
- West Ridge Nature Preserve, Saturday, December 18 led by Eric Leonardson
- Garfield Park Conservatory, Wednesday, December 21 led by Amanda Gutierrez
The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.
The conference dates are April 7–9, and location is Sao Miguel Island, Azores.
Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!
Sunday, October 23
At 1:00–2:00 pm I perform on the Springboard, then show everyone simple handmade ways to create electronic sound and music.
Enjoy an all-day, all-ages program at the Library exploring a variety of activities that show what can be created when art and technology are blended together. Check out the poster for full details.
Noon–4:00 pm Northern IL University STEM Lab
Noon–4:00 pm International Drone Racing Association – Chicago
Noon–1:30 pm Babycakes Gourmet Pancakes
1:00 pm–2:00 pm Springboard performance by Eric Leonardson
2:00 pm–3:00 pm Paint with Light with Ashley Vimont
Hinsdale Public Library
20 East Maple Street
Hinsdale, IL 60521
Map & Directions