Part two of my “How-to” primer for Land Lines, the Nature Conservancy of Canada blog, offers some practical considerations and inspiration in doing your own soundwalks. Online resources are included. My hope is that anyone who is even a bit interested will not only read it, but do it. That’s the only way to begin to know what a soundwalk is and why it’s helpful.
In this two-part piece for Land Lines, the Nature Conservancy of Canada blog, I provide a “How to” primer with resources, personal experiences, and suggested techniques.
As an ecological practice, soundwalking can be an entertainment or a method of inquiry, a call to action or a meditation. Soundwalks can play multiple roles all at once or shift intents from moment to moment.
7:30p Monday, October 19
Eric Leonardson (springboard), KG Price (percussion)
1564 N. Milwaukee Ave Chicago, IL 60622
Conveniently located near the Damen Blue Line CTA stop. Find us upstairs. Admission is free.
As a prelude to the MSAE’s Pullman National Monument soundwalk, at 10:30 AM Saturday, October 3, here’s the recording of my appearance on WBEZ’s “The Morning Shift.” I talk with Tony Sarabia about ambient sounds in the city and the value of listening.
Having a few minutes to discuss a so fundamentally important part of everyday experience really helps to raise critical awareness about our soundscapes and life in the city. I thank the show’s producer, Dan Tucker for taking note and using Chicago public radio to help us gain a sense of what acoustic ecology does.
Wednesday, September 30, WBEZ’s The Morning Shift will have me on their talk show live, between 9 AM and 10 AM to answer questions about different soundscapes in Chicago, and then take calls from listeners about their favorite sounds in the city. To listen or call in tune in to 91.5 FM, or listen online at www.chicagopublicradio.org.
My article, “Acoustic Ecology and Ethical Listening” appears in Section I – The Silence of Stone: Perspectives of Sound of Sound in the Land – Music and the Environment, a special edition of The Conrad Grebel Review.
This book is both interdisciplinary and international, including essays about ecomusicology, soundscape aesthetics, ethnomusicology, silence, science, acoustic ecology, the natural environment, and worship/ritual practices. Leading essays include those by keynote speakers R. Murray Schafer (Canadian composer) and Gus Mills (South African wildlife scientist) as well as ethnomusicologists Maisie Sum, Doreen Klassen and Judith Klassen, and many more.
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NPR’s Morning Edition is airing a segment tomorrow (Friday, Sept 11) that will include some listeners’ sounds of daybreak, so tune in to your local public radio station if you have the chance. My recording and photo of the sunrise over Lake Michigan may be included.
The show’s producer said, “We’ll also have a web story with some of your stories, sounds and photos later this week, so keep an eye out. I will send an update once that’s online.
Thank you again for sharing with us – our team was so impressed by the time and effort that went into the submissions. It was a pleasure to listen to them.”
Not only is this call for recorded soundscapes at daybreak relevant for my Eco-Sensing and the Soundscape course at SAIC, it also reminds me of the micro radio event I created nearby on May 2, the “SoundTent at Camp Sherwin” for International Dawn Chorus Day. It was my contribution to an event organized by soundCamp | REVEIL in collaboration with The Radius, as Episode 63 in its long-running series for experimental radio and transmission art in Chicago. If the sound of my frail voice is any indication, it may be dissembling. Stay tuned!
My research article on urban soundscape awareness for the Journal of Urban Cultural Studies is now available online. “‘Our Sonic Playground’: A model for active engagement in urban soundscapes” is part of special section that “…engages with the idea of activating a ‘sonic turn’ in urban cultural studies scholarship, in part through the evocation of the paradigm of critical and participatory citizenship, as well as through critical approaches to understanding how sound and music are implicated in the texture of a city….”
Last week, I enjoyed a nice chat with Chicago Tribune Architecture Critic, Blair Kamin. Here’s his article on the positive function of sound in the design and experience of urban spaces.
To summarize, rather than bemoaning excessive noise in the city, acoustic ecology studies how sounds function to mediate communication of individuals within their environment. This understanding requires both art and science.
With it we are able to consider the consequences of our actions, be they in the design and construction of our environment, transportation, entertainment, or other endeavors.