Different Worlds | Review of Rub

The Sound Projector bannerThe Sound Projector, the wonderful, British music magazine and radio show, posted a Rupert Loydell’s new review of “Rub,” my 2013 CD with Auris and Gino Robair.

Auris is my trio formed in 2007 with Julia Miller and Christopher Preissing. Rub is available as a joint label on Public Eyesore and Pan Y Rosas.
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Phonophon 5 Year Anniversary Double-CD

Phonophon compilation CD

 

I am pleased to announce [rec.phonophon], a new double CD release celebrating the fifth year of the Phonophon concert series of phonography and experimental music in Frankfurt am Main.

Curated by the Verein zur Förderung von Phonographie und experimenteller Musik (society for the advancement of phonography an experimental music), Phonophon has featured more than 50 concerts with local, national and international artists.

As a participating artist in 2012 my contribution to the project is “Howard CTA Station (Live Dec. 2013).”

The CD is in an edition of 500. “40 tracks give the listener the chance to go on a trip through a diverse and ever expanding sound universe.” To order a copy, listen to samples, etc., please visit http://compilation.phonophon.de/. All proceeds help organize future projects.

 

Signal Culture Cook Book

It’s a pleasure to announce publication of the Signal Culture Cook Book, an e-book showcasing media production recipes and tips from 23 artists doing experimental work in video, sound, digital and related media. Edited by Tammy McGovern, with an introduction by Gerar Edizel: “How to Make and Use a Piezoelectric Contact Mic” is my contribution described with clear illustrations and alternative applications.
cookbook

The Signal Culture Cook Book is a collection of techniques and creative practices employed by artists working in the field of media arts. Articles include real-time glitch video processing, direct laser animation on film, transforming your drawing into a fake computer, wi-fi mapping, alternative uses for piezo mics, visualizing earthquakes in real time and using swarm algorithms to compose new musical structures. There’s even a great, humorous article on how to use offline technology for enhancing your online sentience – and more!

signalculturelogosquare3Contributors to the cookbook include Atif Akin, Brett Ian Balogh, Jason Bernagozzi, Michael Betancourt, Alan Bigelow, Michael Bosworth, Angélica Piedrahita, Carl Diehl, Nicholas Economos, Jesse England, Pascale Gustin, Darius Kazemi, Eric Leonardson, Evan Merz, Ellen Pearlman, Kristin Reeves, Stephanie Rothenberg, Bill Sack, Ruth Sergel, Michael Trigilio, Lee Montgomery, Charles Woodman, and Judson Wright.

Oct. 26, New Music Chicago at Green Mill

Green Mill image(2:00pm – 5:00pm) NEW MUSIC at the GREEN MILL
Sunday October 26
2:00pm – 5:00pm
$5

New Music at the Green Mill
Sunday Matinee
New music from Jeff Kowalkowski and George Flynn
Featuring:

Eric Leonardson – Acoustic Ecology MC
George Flynn – piano
Laila Bowie – vocals
Jeff Kowalkowski – keyboards
Mark Hardy – keyboards
Julia Miller – guitar

 

Oct. 16-17, Listen(n) Symposium: Acoustic Ecologies of the American Southwest Deserts

Listen-n2:30pm MST Friday, October 17th I am giving a talk in the Listenn Symposium on Acoustic Ecologies of the American Southwest Deserts, at Arizona State University. My talk is titled, “Acoustic Ecology and Ethical Listening,” on the fundamental role of listening in everyday experience, the arts, sciences, and humanities.

Listen online. Presentations will stream live. Dr. Sabine Breitsameter is the keynote speaker at 6:00 pm Thursday, October 16. The full schedule is posted here.

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Water Music on the Beach

This is a postscript to mention my debut in a new role, on Sunday, September 7th, as the MC for Water Music on the Beach. Near Berger Park in Chicago, a cast of many wonderful composers and musicians performed that afternoon. This event was organized by 6018NORTH. Please visit Midwest Society for Acoustic Ecology for more info.

October 2014 WFAE President’s Report

As President of the World Forum for Acoustic Ecology (WFAE) reporting for its online newsletter is one of my routine tasks. My President’s Report report for the October-December 2014 WFAE Quarterly News announces:

  1. Administrative changes on the WFAE Board
  2. Upcoming conferences
  3. Review of July’s WFAE-endorsed Invisible Places | Sounding Cities symposium in Viseu, Portugal

In addition to my report, I encourage you to visit the newsletter’s sections on WFAE member’s news, “sound bites” from afield, the feature article, the events and opportunities calendar, and research and projects. As the newsletter is a static web page, please refresh your browser to be sure you are viewing the current newsletter. Past issues are saved and available online, in the WFAE News Archive.

B3 Autumn School Spatial Sound Workshop – Frankfurt

English version see below.

Vom 29. September bis 4. Oktober findet die Autumn School des B3-Festivals in Frankfurt statt.

Als besonderes Highlight für Audio-Interessierte gibt es den Workshop “Spatial Sound”, der sich “hands on” mit den hoch innovativen Möglichkeiten von 3D-Soundgestaltung befasst.
Der Workshop findet vom 30.9.-4.10.14 jeweils ganztägig statt. Workshop-Leiter ist Eric Leonardson, Audiokünstler aus Chicago. Gearbeitet wird mit dem SpatialSound-Wave-System des Fraunhofer Instituts.
Für diesen Workshop stehen nur begrenzte Plätze zur Verfügung. Anmeldung bis spätestens 10.9.14:
Hier das Formular für die Anmeldung:

Die Kosten für Studierende, die nicht dem hFMA-Netzwerk angehören: 60€, für Young Professionals: 120€.

Dies inkludiert jeweils den Eintritt zu dem gesamten Autumn School Programm, das noch weitere interessante mediengestalterische und –künstlerische Workshop bietet.

Übernachtungsmöglichkeiten für Studierende gibt es in der Jugendherberge, die in der Nähe des Veranstaltungsorts (Städelschule) liegt:

http://www.jugendherberge.de/en/youth-hostels/frankfurt479/ShortPortraet


Sept 29 – Oct 4, 2014 the B3-Festival’s Autumn School will take place in Frankfurt.

Its Workshop “Spatial Sound” from Sept. 30-Oct 4, 2014 in Frankfurt offers a special highlight for students and young professionals related to audio.
Here, the innovative approaches of 3D-sound can be explored hands on. Workshop director is Eric Leonardson, sound artist from Chicago/SAIC. Workshop language is English. The participants will work with the new SpatialSound Wave system by Fraunhofer Institute.
The system allows to place and animate sounds precisely at their defined locations in space. It allows also the creation of soundtracks for 360°-movies (“Fulldome Cinema”).
The number of participants is limited. Registration for this workshop is open until September 10, 2014 CEST:
Fees for Students: 60€: Fees for Professionals: 120€. Students studying at an institution of the hFMA-networks in Hessen: free.
The fees include access to the complete program of the B3-Autumn School.
Accommodation can be booked at the Hostel near the Autumn School’s venue: