I will be giving a presentation in Urban Soundscapes & Critical Citizenship, March 27th and 28th, at the University of Limerick. Titled “Our Sonic Playground: A Model For Active Engagement in Urban Soundscape,” my focus will be on recent events that engage public participation actively in the urban soundscape.
“Our Sonic Playground” may serve as a model for much needed future active engagements, and help to define acoustic ecology as an applied practice. These activities suggest ways to partner with like-minded organizations, including public agencies and the public at-large; as well as artists, students, activists, and other constituencies and disciplines.
8:00pm Wednesday, February 5 Beat Kitchen (Upstairs)
2100 W. Belmont Ave., Chicago, Illinois 60618
I will be a special guest performing with the CPA Trio, an improvised music group consisting of Christopher Preissing (flute, percussion), Peter Maunu (guitar, mandolin, violin), Albert Wildeman (bass).
I am working on the international programming committee for Invisible Places | Sounding Cities, a symposium on sound, urbanism, and sense of place happening 18–20 July, 2014 in Viseu, Portugal. The call for submissions was announced January 13. Please visit the website for deadlines and details: http://www.invisibleplaces.org/ https://www.facebook.com/invisibleplaces
Three sections will be featured with a keynote by Jean-Paul Thibaud from CRNS at CRESSON for the section on Architecture and Urban Planning. Keynote speaker Brandon Labelle heads the section on Urban Sounds, Identity and Sense of Place, and Salomé Voegelin is our keynote speaker for Sound Art As Public Art. The symposium enjoys the support of a large arts festival called Jardins Efémeros in association with several other institutions and organizations, including Binaural/Nodar and the World Forum for Acoustic Ecology. The conference includes a concert and workshop by Francisco López, plus others, and soundwalks.
My President’s Report for the year-end issue of the World Forum for Acoustic Ecology (WFAE) Quarterly News has been published. This issue includes “Teaching Sound and Listening: Auditory Experiments”, a feature article by Leonardo Cardoso and a research/project report “Mapping the Sounds of Collections: Listening to Museums and Archives” By John Kannenberg. My report provides a updates on this year’s WFAE conference in Canada and Portugal and the next issue the WFAE’s annual Soundscape: The Journal for Acoustic Ecology.
The WFAE Quarterly News is a supplement to Soundscape: The Journal for Acoustic Ecology, the annual print journal the WFAE publishes, and serves as a way to make available in a timely manner, news, events, opportunities, and announcements from the WFAE Board, WFAE Affiliates, and other sources of interest to those in the field of acoustic ecology. Please visit to learn what this diverse community and field of artistic, scientific, and educational activity is about.
I will provide a brief report on national and international activities in the field of acoustic ecology, with respect to the ASAE and World Forum for Acoustic Ecology (WFAE) in my introduction. I have been serving as WFAE President since 2012. Jay and I have collaborated on sound performances since 2011, and work together as board members of the ASAE.
The program will conclude with ample time for questions and answers with Needham and anyone interested the activities of the MSAE.
This video includes the full duration of our one hour concert at Bond Chapel, on the campus of the University of Chicago. The concert begins with a solo by Birgit (trumpet) and then myself (radios, oscillator, springboard), and concludes with our duo.