Signal Culture Cook Book

It’s a pleasure to announce publication of the Signal Culture Cook Book, an e-book showcasing media production recipes and tips from 23 artists doing experimental work in video, sound, digital and related media. Edited by Tammy McGovern, with an introduction by Gerar Edizel: “How to Make and Use a Piezoelectric Contact Mic” is my contribution described with clear illustrations and alternative applications.
cookbook

The Signal Culture Cook Book is a collection of techniques and creative practices employed by artists working in the field of media arts. Articles include real-time glitch video processing, direct laser animation on film, transforming your drawing into a fake computer, wi-fi mapping, alternative uses for piezo mics, visualizing earthquakes in real time and using swarm algorithms to compose new musical structures. There’s even a great, humorous article on how to use offline technology for enhancing your online sentience – and more!

signalculturelogosquare3Contributors to the cookbook include Atif Akin, Brett Ian Balogh, Jason Bernagozzi, Michael Betancourt, Alan Bigelow, Michael Bosworth, Angélica Piedrahita, Carl Diehl, Nicholas Economos, Jesse England, Pascale Gustin, Darius Kazemi, Eric Leonardson, Evan Merz, Ellen Pearlman, Kristin Reeves, Stephanie Rothenberg, Bill Sack, Ruth Sergel, Michael Trigilio, Lee Montgomery, Charles Woodman, and Judson Wright.

B3 Autumn School Spatial Sound Workshop – Frankfurt

English version see below.

Vom 29. September bis 4. Oktober findet die Autumn School des B3-Festivals in Frankfurt statt.

Als besonderes Highlight für Audio-Interessierte gibt es den Workshop “Spatial Sound”, der sich “hands on” mit den hoch innovativen Möglichkeiten von 3D-Soundgestaltung befasst.
Der Workshop findet vom 30.9.-4.10.14 jeweils ganztägig statt. Workshop-Leiter ist Eric Leonardson, Audiokünstler aus Chicago. Gearbeitet wird mit dem SpatialSound-Wave-System des Fraunhofer Instituts.
http://www.b3biennale.com/en/programm-autumn?speaker=252#event_overlay_242
Für diesen Workshop stehen nur begrenzte Plätze zur Verfügung. Anmeldung bis spätestens 10.9.14:
Hier das Formular für die Anmeldung:
http://www.b3biennale.com/de/summerschool

Die Kosten für Studierende, die nicht dem hFMA-Netzwerk angehören: 60€, für Young Professionals: 120€.

Dies inkludiert jeweils den Eintritt zu dem gesamten Autumn School Programm, das noch weitere interessante mediengestalterische und –künstlerische Workshop bietet.

Übernachtungsmöglichkeiten für Studierende gibt es in der Jugendherberge, die in der Nähe des Veranstaltungsorts (Städelschule) liegt:

http://www.jugendherberge.de/en/youth-hostels/frankfurt479/ShortPortraet


Sept 29 – Oct 4, 2014 the B3-Festival’s Autumn School will take place in Frankfurt.

Its Workshop “Spatial Sound” from Sept. 30-Oct 4, 2014 in Frankfurt offers a special highlight for students and young professionals related to audio.
Here, the innovative approaches of 3D-sound can be explored hands on. Workshop director is Eric Leonardson, sound artist from Chicago/SAIC. Workshop language is English. The participants will work with the new SpatialSound Wave system by Fraunhofer Institute.
http://www.b3biennale.com/en/programm-autumn?speaker=252#event_overlay_242
The system allows to place and animate sounds precisely at their defined locations in space. It allows also the creation of soundtracks for 360°-movies (“Fulldome Cinema”).
The number of participants is limited. Registration for this workshop is open until September 10, 2014 CEST:
http://www.b3biennale.com/en/workshops/new
Fees for Students: 60€: Fees for Professionals: 120€. Students studying at an institution of the hFMA-networks in Hessen: free.
The fees include access to the complete program of the B3-Autumn School.
Accommodation can be booked at the Hostel near the Autumn School’s venue:

April 14, John Cage’s “Variations V”

 

dancer with film, speaker

Choreographer Enid Smith activates sound in Variations V with radio sensors by Gregory O’Drobinak, synthesis by Eric Leonardson, Alex Inglizian, Julia Miller, film by Tatsu Aoki, and loudspeaker by Ian Schneller (Specimen Products)

a.pe.ri.od.ic
presents
A JOHN CAGE FESTIVAL

April 13-15, 2012
Chicago

Variations V
*Two Showings*

April 14, 7:00pm and 9:00pm
Collaboraction
1579 N. Milwaukee Ave, room 300
$15/10 with student ID
purchase tickets at door, or online
limited ticket availability

Sound: Julia Miller, designer

James Connolly

Eric Leonardson

Christopher Preissing

Alex Inglizian, Kyle Evans, Gregory O’Drobinak

Film: Tatsu Aoki

Choreography:  Enid Smith

Dance: Melissa Schleicher-Sanchez, Jaime Juravic

Program booklet download here.

Variations V (1965), a monumental, multimedia work originally a collaborative performance between John Cage, Merce Cunningham and such notables as Robert Moog, David Tudor, James Tenney, Nam June Paik, Stan Vanderbeek, Billy Klüver, Max Mathews, and Carolyn Brown. This 45-minute piece is presented by a team of Chicago sound artists and musicians, with Cunningham dancer Enid Smith.  The evening will include two performances of the work- an early (7pm) and late (9pm) concert.

Variations V deals obliquely with sound; at its premiere, dancers moved across the stage triggering photocells or antennae, which in turn activated radios and tape playback.  Early iterations of this work further toyed with multimedia, allowing the dancer’s motions to additionally trigger lights and background film. As with many of Cage’s projects, Variations V confounds traditional conceptions of performer and curator.  The composer was present at early performances, manipulating the sounds induced by the dancers in real-time.  Cage derived the instructions guiding both physical actors and sonic consequences through chance procedures, flipping coins.  The veiled but detailed score consists of thirty-five remarks, each informing the structure and procedure of the performance including technical elements and rehearsal instructions.

Amplifiers and horn speakers generously donated by Ian Schneller/Specimen Products.