Invisible Places 2017 Call For Submissions

The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.

The conference dates are April 7–9, and location is Sao Miguel Island, Azores.

Keynote speakers are Hildegard Westerkamp and Sam Auinger.

Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!

Ecoacoustics Congress 2016, June 6-8

Tuesday, June 7, I am giving a presentation in the Ecoacoustics Congress 2016, held June 6-8 at Michigan State University in East Lansing.

Ecoacoustics Congress 2016 will bring together scientists from around the world for an in-depth conference exploring new frontiers of ecoacoustics research and development. Sessions at this year’s conference will feature:

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  • Ecoacoustics Environment
    • Tropical
    • Fresh Water
    • Marine
    • Terrestrial
  • Ecoacoustics Impact
    • Health
    • Analytics
    • Community/Species Impact

Titled after the course I co-taught with Lindsey French in fall 2015, “Eco-Sensing and the Soundscape” serves as a teaching resource blending ideas and practices of acoustic ecology with the DIY hacking aesthetic of new media in a post-secondary art school curriculum.

Our course blog provides a curricular resource for you to explore and implement, and an outlet for our students’ work.

Balance-Unbalance 2016: Data Science + Eco Action

BunB2015data-science4:30 PM Monday, May 9, I am giving a presentation titled “Eco-Sensing and the Soundscape” in the Balance-Unbalance 2016: Data Science + Eco Action conference.

The 5th edition of Balance-Unbalance (BunB 2016) will be held May 9–11, 2016 in Manizales, Colombia. BunB 2016 is designed “…to use art as a catalyst to explore intersections between nature, science, technology and society in an era of both unprecedented ecological threats and transdisciplinary possibilities.” Continue reading

Sound in the Land – Music and the Environment

My article, “Acoustic Ecology and Ethical Listening” appears in Section I – The Silence of Stone: Perspectives of Sound of Sound in the Land – Music and the Environment, a special edition of The Conrad Grebel Review. Sound in the Land front & back cover

This book is both interdisciplinary and international, including essays about ecomusicology, soundscape aesthetics, ethnomusicology, silence, science, acoustic ecology, the natural environment, and worship/ritual practices. Leading essays include those by keynote speakers R. Murray Schafer (Canadian composer) and Gus Mills (South African wildlife scientist) as well as ethnomusicologists Maisie Sum, Doreen Klassen and Judith Klassen, and many more.

To order books contact cgreview@uwaterloo.ca

Acoustic Ecology and Ethical Listening Lecture at DKSG, June 14

Urban Soundscapes & Critical Citizenship

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I will be giving a presentation in Urban Soundscapes & Critical Citizenship, March 27th and 28th, at the University of Limerick. Titled “Our Sonic Playground: A Model For Active Engagement in Urban Soundscape,” my focus will be on recent events that engage public participation actively in the urban soundscape.

Urban Soundscapes and Critical Citizenship poster (PDF)

In particular, I plan to talk about last October’s event at the Museum of Contemporary Art, in partnership with the Midwest Society for Acoustic Ecology (MSAE) and students from The School of the Art Institute of Chicago (SAIC). I will review MSAE partnerships and public engagements with the Gropius in Chicago Coalition and the Indiana Dunes National Lakeshore.

“Our Sonic Playground” may serve as a model for much needed future active engagements, and help to define acoustic ecology as an applied practice. These activities suggest ways to partner with like-minded organizations, including public agencies and the public at-large; as well as artists, students, activists, and other constituencies and disciplines.

Oct 6, EcoMedia Panel at International Sculpture Conference

Time/Date: 10:00—11:30 AM Saturday, October 6
Location: Columbus Auditorium at the School of the Art Institute of Chicago,
280 S. Columbus Drive, Chicago, IL 60603

During the 23rd International Sculpture Conference I will speak on a panel entitled, EcoMedia: Environmental Science & Technology & Interaction in Public Art. The panel’s moderator is Andrea Polli. The panelists are Paul Catanese, Eric Leonardson, and Russell Bauer.

In the 21st century, there has been a resurgence of ecologically conscious art using new media technologies. Like Eco-art, this recent Ecomedia movement is interdisciplinary and global. Ecomedia is heavily influenced by developments in science, particularly remote imaging and other Earth sensing (for example, the widespread use of GPS data) and developments in computer modeling (for example, detailed models that not only model the physics of the Earth and solar system, but also explore the Earth’s chemistry and biology). This panel will present a series of public art work case studies, both permanent and temporary, that could be considered Ecomedia.

The International Sculpture Conference opens on Wednesday, October 3 and concludes on Sunday, October 7. Visit sculpture.org/Chicago2012/ for registration, schedule, blog, and more.

 

WFAE Feature Article: Observations On “Crossing Listening Paths”

My report, “Observations on the 2011 WFAE International Conference “Crossing Listening Paths,” about the 2011 WFAE International Conference is published in the Nov/Dec WFAE Newsletter. Read it at http://wfae.proscenia.net/library/newsarchive/2011/06_Nov_December/pages/11.htm

This report is describes my personal observations of the conference and Kerkyra, on the island of Corfu, Greece. Rather than offering an analysis of the events, I wrote about whatever held my memory for any reason. The photos were taken by Nigel Frayne and me.

Here’s one sound. I hope to post more sounds when time allows.

Listening for the Future: American Society for Acoustic Ecology meeting in Chicago

Indiana Dunes National LakeshoreI’m happy to announce that the American Society for Acoustic Ecology‘s Listening for the Future symposium will take place from Friday, July 9 through Sunday, July 11 in Chicago. Hosted by the ASAE’s Midwest chapter and the World Listening Project this conference is the first of its kind in the United States.

Please visit the Midwest Society for Acoustic Ecology website for details on how to participate.

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