Originally uploaded by Lantern Projects
Here are photos of the scene on Friday for Jay Needham’s talk, Ars Memoria: Several Alternates Hostories of Place. These images are from Lantern Projects, our host.
Please visit this post again later as I hope to add some audio excerpts, and visit http://mwsae.org/?p=1198 for updates to the MSAE schedule.
Dear Friends,
You’re invited to participate in a special project of radio aporee and the World Listening Project for the first World Listening Day, on Sunday, July 18, 2010.
Radio aporee is an open project about the creation and exploration of public space. Its creator, Udo Noll asks you for help in creating an “audio snapshot of the world” as heard and recorded on World Listening Day. Aporee maps uses the Google maps interface to allow anyone to easily find their location on the map, then upload their audio via the web or mobile phone.
We’re inviting you to send an audio recording from your actual location, or other places of your interest on this day to the maps: http://aporee.org/maps/.
With your contributions collected on World Listening Day, Udo will then create a dedicated project page on the aporee map. As Udo says, “…besides having a nice documentation, I’m really intrigued by the idea of listening to the sounds of a particular day, around the world….” I’m very curious about what will happen, too.
Recently, I started using AudioBoo and found it to be a fun social media “play thing” for posting field recordings. One interesting feature with potential for serious use is AudBoo’s ability to create a podcast in the iTunes Music Store. There you can download to the files or “boos” as well as subscribe to the podcast. You can tag your boos, search boos. This is the link for my AudioBoo. As in Twitter you can follow the profiles. You can also subscribe to everyone’s AudioBoos on the iTunes AudioBoos full podcast.
I have six performances scheduled for October and November, with more being planned. Three happen in the Third Annual Chicago Calling Arts Festival (CCAF3), presented in various locations from October 1—12. Look further down for my other three post-CCAF shows held at Enemy, Myopic, and Elastic. Please check the CCAF3 Schedule page and this web page in case of last-minute schedule changes. (more…)
At 2:30 on Sunday afternoon, September 28, I will give a short performance on Monica Herrera’s Strings, her sculptural sound installation at the Hyde Park Arts Center (HPAC):
http://www.hydeparkart.org/exhibitions/2008/07/strings_by_monica_hererra.php
2:00-5:00 p.m., admission FREE, Asian food provided.
Hyde Park Art Center Monica Herrera is a recent graduate of The School of the Art Institute of Chicago (MFA 2008). My performance is one of many in the Chicago Artists Month Opening Celebration at HPAC.
Over the weekend there will be a mix of exhibitions and free performances to kick off Chicago Artists Month, including a concert by the Black Monks of Mississippi, portrait drawings by Dale Washington, Butoh dance by Nicole LeGette, and free outdoor concerts by Fred Anderson, Corey Wilkes and Kahil El’Zabar as part of the 2nd Annual Hyde Park Jazz Festival.
The conference was a wonderful experience.
Highlights, moments of curiosity, and conviviality: conversations with Trademark G, who performed on Saturday; capturing a spontaneous conversation about listening and the conference on my DAT with Amber and Andrea from Union Docs in Brooklyn; meeting Chantal Dumas; hanging out with Anna Friz, Peter Courtemanche, Glen Gear, who performed on Friday night as Absolute Value of Noise…and with Justin Groteleuschen, who helped Anna and me out last year when we toured to Boston, and wrote about this conference for Transom.org.
Tetsuo Kogawa’s workshop, talk, and performance were superb. You’ll get a sense of what his performance was like by viewing and listening to Justin Groteleuschen’s clips on his Vimeo site: http://www.vimeo.com/user512919/videos. Please read his Deep Wireless report on Transom.org. Justin also has a good set of photos from the conference on his Flickr photostream, and I added a few photos to my own Flickr site, and this video on
To see Tetsuo Kogawa’s diagrams, tools, “howto”, peripherals, and histories visit How to build a micro transmitter. He has done a great job of providing this information in English. For a direct tutorial web page including circuit schematics, go to Kogawa’s “How to build the most simplest FM transmitter?”
Keynote description from the New Adventures In Sound Art (NAISA) website
Kogawa is credited with starting free radio in Japan. He studied and teaches philosophy there, and uses the ideas of Felix Guattari to frame his own concept of radio and transmission art. Rather than belabor you with all that this richly implies, this statement encapsulates his concept nicely. Quoting from Kunstradio’s announcement of Tetsuo’s October 2007 live broadcast from Musikprotokoll, Graz:
“My performance consists of radio transmitters/receivers and my hands that wave over them. Every space of my performance has different airwave conditions. But the point is to create resonances and fluctuations of airwaves and to crystallize them into the sounds or/and images. I think radio must be understood as radiation. Radiation is communication of ‘messages’ as well as artistic imagination. I am more interested in the latter function. Radio is based on the electronic transmission. This transmission is between mind and body, and brain and hands. Radio could give a model to link different zones of our body and our outer worlds. In the microscopic scale of our body, we have neurotransmitters while in the macro scale we have hands. By my hand-waving transmission, I move between virtual and physical areas, technology and techne (τέχνη) which originally means handwork.”
—Tetsuo Kogawa
My quick web search for an online version of Kogawa’s talk revealed many references, but not the actual text of “Re-examining radio art”. Kogawa’s main page seems the best source for searching and learning about his ideas and work. One interesting link is a paper by Sarah E. Kanouse on transmission and memory. The PDF download link is here.
My search also reminded me that the latest issue of Leonardo Music Journal, LMJ17 makes mention of Tetsuo Kogawa. This is the same issue that carries my article on the Springboard. The companion CD compiled by Sarah Washington, entitled the Art of the Gremlin, has one track by Knut Auferman with Tetsuo Kogawa entitled fm:i/o.
As he stated in his talk, Tetsuo isn’t interested in radio-as-broadcast, “…free radio does not broadcast (scatter) information but communicates (co-unites) messages to a concrete audience.” In my hands it certainly is a radio-as-instrument, and Tetsuo demonstrated this most completely and convincingly in his performance. Again, you can watch a video clip of Sunday’s performance here. And, this 53-minute video on Google from Newcastle closely matches the content in last Sunday’s talk, workshop, and performance.
This is the sort of radio I’m most interested in. It connects the cultures of radio art, hardware hacking, and electronic music performance to one another. In the context of broadcasting it blurs the traditional roles of the sender and receiver making this relationship into one where you or I can easily become a sender-receiver, or a transceiver. The activity of “transception”—on the micro-scale-transmission range of one meter-that Kogawa is interested—results in radio that merges radiation in the electro-magnetic spectrum with the capacitance of his own body.
Here’s a photo of the transmitter I built on Saturday, which was part 1 of the workshop. In part 2, participants built antennas for their transmitters with coaxial cable, as shown in Justin’s photos. I’ve received useful knowledge from the Radio Without Boundaries conference on radio and transmission art, with applications in my own performance in hand and for potential student projects. I used the FM transmitter I built in Wednesday night’s rehearsal with Auris, and want to experiment with it further.
Hopefully, there will be audio transcripts of the Radio Without Boundaries sessions available so that anyone interested in art, sound, and radio will be able to learn and grow.
