World Listening Day 2016 | Sounds Lost & Found | The 606 Soundscape

606soundscapeFor World Listening Day 2016, I have organized a cohort of teaching artists and musicians who will transform our experience of The 606 & Bloomingdale Trail soundscape in Chicago this Saturday, Sunday and Monday, July 16–18. Events will actively engage in new ways of outdoor listening and sound making. Please visit the 606 Soundscape blog and Facebook Events for the full schedule. Attendance is free and open to all ages.

Along with performances and soundwalks, a global virtual symposium hosted through #SoundCon and the World Listening Project, celebrates World Listening Day 2016 “Sounds Lost and Found.” I give my brief keynote at 8:00 PM (Central time), following Sunday evening’s Sound Treasure Hunt. Watch the live stream via YouTube LIVE.

The 606 Soundscape project is made possible, in part, with support of the Chicago Park District and Trust for Public Lands.

WATER WORKS! Friday-Saturday 18-20 March

waterworks2016I am one of the curators for WATER WORKS! the 2016 Waterwheel online sharing event devoted to water in its social, economic, scientific, and artistic manifestations. Over this weekend people around the world can sign in for free to host or watch events at the Tap.

My four selected works are “Railroad Storm Drain” by Christopher DeLaurenti; “Unter Grund” by Christina Kubisch & Eckehard Güther; “von der rheinquelle bis hafen karlsruhe | rhein_strom,” by Thomas M. Siefert & Lasse-Marc Riek; and Jay Needham‘s “Liquesce 1.”

Our Tap is Water Works! 4, with Ricardo Dal Farra and Leah Barclay. It opens at 22:00 CDT. Again, the Tap is free to sign in and interact with anywhere in the world. Program, dates & times are posted at http://bit.ly/program-WaterWorks.

Over 150 contributors responded with a total of some 260 contributions accessible on the Waterwheel Media Centre. 22 curators assessed the contributions and will present a selection in a series of seven online panels on the Tap on 18-20 March 2016. Join the live streams at http://water-wheel.net/taps-list. 

 

June 17: Magma, Springs and Bugs at Školská 28, Prague

skolska28 white on blackMagma, Springs and Bugs
Eric Leonardson: Solo for Springboard
Brane Zorman: Hidden Materia
Featuring: Petr Nikl – Cockroaching – Beetle Works
Wednesday, June 17 – 19:00

Školská 28 Gallery
Školská 28
110 00 Prague 1
tel. +420 222 966 974

This concert is part of LISTENING AROUND THE CORNER a mini-symposium happening the next day, Thursday, June 18 from 6 to 9.30 at Tranzitdisplay Gallery.

June 4: Klingt Gut! / Sounds Good! Field Recording Workshop, Hamburg

klang_enOn Thursday, June 4 I lead a field recording workshop for the Klingt Gut! / Sounds Good! Symposium on Sound, presented by Hamburg University of Applied Sciences and the Audio Engineering Society Hamburg Student Section at the Arts and Media Campus Hamburg, Germany.

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Balance-Unbalance 2015: Water, Climate and Place, Reimagining Environments

cropped-bal-unbal1On March 25–26, I am participating in the pre-conference acoustic ecology workshop and overnight field trip to the Beaver Creek Biosphere Reserve, organized by the American Society for Acoustic Ecology. On March 27–29, I am honored to lead and present these panels and papers in the spectacular conference, Balance-Unbalance 2015: Water, Climate and Place, Reimagining Environments at Arizona State University (ASU).

Eco-sensing in Higher Education Curriculum

March 28, 2015 • 3:30pm Leonardson and Andrea Polli will lead a panel entitled Eco-sensing in Higher Education Curriculum. A conversation between an international group of academic practitioners and artists about the design and delivery of interdisciplinary curriculum in the arts, engineering and architecture that engages university students with listening and other forms of environmental sensing to promote creative ways to address ecological problems. Panelists will present examples and experiences using listening, field recording, sensors, data gathering, and other ways of sensing ecosystems. Panel participants are Linda Keane (AIADO, SAIC), Leah Barclay (UNESCO Biosphere Soundscapes project), Christopher Preissing (Composer), Lindsey French (Artist, SAIC), Meredith Hoy (Art History and Theory, ASU).
Stauffer B125, 950 S. Forest Mall, Tempe, AZ 85281
URL: http://sched.co/2GXa

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In the Media | Sound experts make art of the noise all around

On January 19 Chicago Tribune, columnist Barbara Brotman published this interview with me.

We discussed urban soundscape awareness, the upcoming soundwalk in Ryerson Woods and concert by Chicago Phonography, on Sunday, January 25, 2015 organized in partnership with the Brushwood Center, Midwest Society for Acoustic Ecology (MSAE), and World Listening Project. If you can pass the pay wall with a digital subscription to the Chicago Tribune, I’m told there is a video interview with me in the online version of the article. The soundwalk and performance was free for public participation. MSAE will report on the event in late February.

7PM, Wed. Feb. 4 Articular Facet Performs Bracken In RhinoFest 2015

7PM , Wed. Feb. 4 RhinoFest 2015
Prop Theater
3502 N Elston Avenue
Chicago, Illinois 60618

I perform in “Bracken (after Christian Wolff)” by Nicolas Collins (2014) with Articular Facet.
Bracken adapts the language of circuits and software for interpretation by any instrument. A computer generates and projects a live streaming score that that directs the payers to interact with one another following rules derived from binary logic and various methods of analog and digital signal processing. Articular Facet first performed Bracken for the Chicago Composers’ Consortium in 2014.

Performers include: Sam Bradshaw, contrabass; Johanna Brock, violin; Mark Hardy, electronics; Deirdre Harrison, voice and objects; Ed Herrmann, skatchbox; Dan Godston, trumpet; Eric Leonardson, springboard; Jeff Kowalkowski, Nord; Julia Miller, electric guitars; William Jason Raynovich, cello; Sid Samberg, viola and piano; Will Soderberg, electronics

Also performed this evening, “The Hound” by Mark Hardy.

Explanation and instructions of Bracken score.

What’s New For July 2014

Life and art continues to keep me busy well into the summer. This July, or what remains of it has me doing:

  • WFAE President’s Report
  • World Listening Day
  • Invisible Places | Sounding Cities
  • Sounding Out! Podcast #32: The World Listening Update – 2014 Edition
  • Articular Facet Residency at Ragdale
  • 25 Years In Wicker Park, Moving Out

WFAE President’s Report

Every three months, in my role as the President of the World Forum for Acoustic Ecology,  I write a report the organization’s online newsletter. Please have a look at the July-September issue of the WFAE Quarterly News.

World Listening Day

Friday, July 18 is 2014 World Listening Day. This annual event presents several exciting activities. In Chicago, the Midwest Society for Acoustic Ecology (MSAE) and World Listening Project (WLP) are happy to have Matthew Griffin, SAIC alum and with the Canadian Association for Sound Ecology, and MSAE member, Norman W. Long leading a soundwalk in Millennium Park. Join us at the south end of the Lurie Garden, at 6:00 pm. Following the soundwalk join us for a reception at ARU studio space, 625 N. Michigan Ave. Participation is free and open to the public. Info:

Saturday, July 19 at 1:00 pm Monica Ryan leads a soundwalk in Miller Woods in the Indiana Dunes National Lakeshore, 15,000 acres of land maintained and protected by the National Park Service, who also observe World Listening Day. Meet us in the Paul H. Douglas Center for Environmental Education at 100 N Lake Street, in Gary, Indiana. Parking is conveniently located across the street. Participation is free and open to the public. Please visit the WLP’s World Listening Day post to learn more about what you can do.

Podcast for Sounding Out!

Also on World Listening Day, visit the Sounding Out! sound studies blog and listen to “Sounding Out! Podcast #32: The World Listening Update – 2014 Edition,” a new podcast exploring the themes, concepts, and history of World Listening Day and Acoustic Ecology. This collaboration with SAIC Sound Instructor Monica Ryan and audio producer, musician Tom Haigh presents two leading figures in the field: Professor Sabine Breitsameter from Hochschule Darmstadt (Germany), Professor Barry Truax from Simon Fraser University (Canada), and Raquel Castro co-organizer of Invisible Places | Sounding Cities (Portugal).

Invisible Places | Sounding Cities

You won’t see me in Chicago for World Listening Day because I am participating in Invisible Places | Sounding Cities in Viseu, Portugal, active as an artist and President of the World Forum for Acoustic Ecology, chairing paper sessions. The symposium happens July 18–20. At its conclusion, I’m honored to perform solo on Sunday, July 20 at Misericórdia Church. Check the IPSC program to watch and listen to its live stream.

Dissecting Adam: Articular Facet Residency at Ragdale

I am performing in Julia A. Miller’s improvised opera project, Dissecting Adam on Saturday, July 26 at 4:00 pm. This one-of-a-kind opera work takes place at the Ragdale artists’ retreat in Lake Forest, Illinois.

25 Years In Wicker Park, Moving Out

I’ll try to get to this story a bit later.  🙂

October 22 “Our Sonic Playground” At Musuem of Contemporary Art

6–8:00 pm Oct 22, 2013

Museum of Contemporary Art
220 E Chicago Avenue
Chicago IL 60611
Admission: FREE

I am leading a public, interactive event on Oct. 22, part of a weekly Tuesday evening series organized by the Education Department at the Museum of Contemporary Art in Chicago. The activities planned will actively engage the public in four ways, to “play, watch, share, and listen.” Students at SAIC, in my Field Recording/Phonography class, and Lindsey French’s “Sensing the Landscape” class, will help along with members of the MSAE and Chicago Phonography.

The event will include soundwalks with making and listening as the main activities, somehow involving field recording, culminating with a phonography performance and discussion. It will engage awareness multiple levels, concerning the social, aesthetic, and environmental aspects of sound.