On April 26, the University of Illinois at Urbana-Champaign news posted this well-written online article by Jodi Heckel about my public soundwalks in Urbana parks, all part of the Sonified Sustainability Festival. Thanks go to Jason Finkelman and the Student Sustainability Committee for their interest and support. In coming months look for a video documenting the festival’s artists and their performances. Portion of this will include the Springboard and my concert at Krannert Art Museum with Carol Genetti and Guillermo Gregorio last October.
For World Listening Day 2016, I have organized a cohort of teaching artists and musicians who will transform our experience of The 606 & Bloomingdale Trail soundscape in Chicago this Saturday, Sunday and Monday, July 16–18. Events will actively engage in new ways of outdoor listening and sound making. Please visit the 606 Soundscape blog and Facebook Events for the full schedule. Attendance is free and open to all ages.
Along with performances and soundwalks, a global virtual symposium hosted through #SoundCon and the World Listening Project, celebrates World Listening Day 2016 “Sounds Lost and Found.” I give my brief keynote at 8:00 PM (Central time), following Sunday evening’s Sound Treasure Hunt. Watch the live stream via YouTube LIVE.
The 606 Soundscape project is made possible, in part, with support of the Chicago Park District and Trust for Public Lands.
I am one of the curators for WATER WORKS! the 2016 Waterwheel online sharing event devoted to water in its social, economic, scientific, and artistic manifestations. Over this weekend people around the world can sign in for free to host or watch events at the Tap.
My four selected works are “Railroad Storm Drain” by Christopher DeLaurenti; “Unter Grund” by Christina Kubisch & Eckehard Güther; “von der rheinquelle bis hafen karlsruhe | rhein_strom,” by Thomas M. Siefert & Lasse-Marc Riek; and Jay Needham‘s “Liquesce 1.”
Our Tap is Water Works! 4, with Ricardo Dal Farra and Leah Barclay. It opens at 22:00 CDT. Again, the Tap is free to sign in and interact with anywhere in the world. Program, dates & times are posted at http://bit.ly/program-WaterWorks.
Over 150 contributors responded with a total of some 260 contributions accessible on the Waterwheel Media Centre. 22 curators assessed the contributions and will present a selection in a series of seven online panels on the Tap on 18-20 March 2016. Join the live streams at http://water-wheel.net/taps-list.
Školská 28 Gallery
110 00 Prague 1
tel. +420 222 966 974
This concert is part of LISTENING AROUND THE CORNER a mini-symposium happening the next day, Thursday, June 18 from 6 to 9.30 at Tranzitdisplay Gallery.
On March 25–26, I am participating in the pre-conference acoustic ecology workshop and overnight field trip to the Beaver Creek Biosphere Reserve, organized by the American Society for Acoustic Ecology. On March 27–29, I am honored to lead and present these panels and papers in the spectacular conference, Balance-Unbalance 2015: Water, Climate and Place, Reimagining Environments at Arizona State University (ASU).
Eco-sensing in Higher Education Curriculum
March 28, 2015 • 3:30pm Leonardson and Andrea Polli will lead a panel entitled Eco-sensing in Higher Education Curriculum. A conversation between an international group of academic practitioners and artists about the design and delivery of interdisciplinary curriculum in the arts, engineering and architecture that engages university students with listening and other forms of environmental sensing to promote creative ways to address ecological problems. Panelists will present examples and experiences using listening, field recording, sensors, data gathering, and other ways of sensing ecosystems. Panel participants are Linda Keane (AIADO, SAIC), Leah Barclay (UNESCO Biosphere Soundscapes project), Christopher Preissing (Composer), Lindsey French (Artist, SAIC), Meredith Hoy (Art History and Theory, ASU).
Stauffer B125, 950 S. Forest Mall, Tempe, AZ 85281
On January 19 Chicago Tribune, columnist Barbara Brotman published this interview with me.
Sound experts make art of the noise all around us – Chicago Tribune… http://t.co/2sbgJ4PINK
— MSAE (@MidwestSocAE) January 19, 2015
We discussed urban soundscape awareness, the upcoming soundwalk in Ryerson Woods and concert by Chicago Phonography, on Sunday, January 25, 2015 organized in partnership with the Brushwood Center, Midwest Society for Acoustic Ecology (MSAE), and World Listening Project. If you can pass the pay wall with a digital subscription to the Chicago Tribune, I’m told there is a video interview with me in the online version of the article. The soundwalk and performance was free for public participation. MSAE will report on the event in late February.
7PM , Wed. Feb. 4 RhinoFest 2015
3502 N Elston Avenue
Chicago, Illinois 60618
I perform in “Bracken (after Christian Wolff)” by Nicolas Collins (2014) with Articular Facet.
Bracken adapts the language of circuits and software for interpretation by any instrument. A computer generates and projects a live streaming score that that directs the payers to interact with one another following rules derived from binary logic and various methods of analog and digital signal processing. Articular Facet first performed Bracken for the Chicago Composers’ Consortium in 2014.
Performers include: Sam Bradshaw, contrabass; Johanna Brock, violin; Mark Hardy, electronics; Deirdre Harrison, voice and objects; Ed Herrmann, skatchbox; Dan Godston, trumpet; Eric Leonardson, springboard; Jeff Kowalkowski, Nord; Julia Miller, electric guitars; William Jason Raynovich, cello; Sid Samberg, viola and piano; Will Soderberg, electronics
Also performed this evening, “The Hound” by Mark Hardy.