My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4,The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.
This compilation on The Sound of Live Performance assembles those “sound failures, the misassigned patch, unintended playing outcomes, FX overloads, calibrations and pinnacles of performative exploration” that offer sources for eclectic new material.
Celebrating Art’s Birthday with Christian Pinock and Guillermo Gregorio at…
Enemy
1550 N. Milwaukee Avenue, 3rd floor
Chicago IL 60622 www.enemysound.com
Albuquerque-based composer Christian Pinock performs original improvised compositions on electric valve trombone. Using a computer-based instrument of his own creation (using MAX/MSP) and a system of sensors attached to the trombone, he creates solo performances that are dynamic and subtle, drawing from diverse styles such as improvised experimental music, contemporary classical, avant-garde jazz, noise, and electronica.
Christian will perform a solo electric trombone set and a trio improvisation withGuillermo Gregorio (clarinet, saxophone) and Eric Leonardson (experimental instruments, electronics).
Guillermo and Eric will open the concert at 7:30 PM with a duo set.
Jason Soliday (electronics) and I perform on a bill with Ben Miller (Degeneration), Dan Burke (Illusion of Safety), and Wyoming (Andrew Young and Riley Walker).
The August 2010 issue of furthernoise.org features four reviews of Mimeomeme’s new releases, including my CD, Rarebit with Steve Barsotti.
Mimeomeme is the Seattle-based label for “…unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, tape cut-ups and other oblique, not-yet-classified sonic epiphenomena.” (more…)
Recorded at Enemy on April 7, 2010.Visit KuroNekoMusic to listen and watch more of the sessions with Brent Gutzeit, Michael Hartmann, and Aaron Zarzutski.
My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4, The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.
The August 2010 issue of