Dear Friends,

You’re invited to participate in a special project of radio aporee and the World Listening Project for the first World Listening Day, on Sunday, July 18, 2010.

Radio aporee is an open project about the creation and exploration of public space. Its creator, Udo Noll asks you for help in creating an “audio snapshot of the world” as heard and recorded on World Listening Day. Aporee maps uses the Google maps interface to allow anyone to easily find their location on the map, then upload their audio via the web or mobile phone.

We’re inviting you to send an audio recording from your actual location, or other places of your interest on this day to the maps: http://aporee.org/maps/.

With your contributions collected on World Listening Day, Udo will then create a dedicated project page on the aporee map. As Udo says, “…besides having a nice documentation, I’m really intrigued by the idea of listening to the sounds of a particular day, around the world….” I’m very curious about what will happen, too.

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I’m happy to announce that the American Society for Acoustic Ecology’s Listening for the Future symposium will take place from Friday, July 9 through Sunday, July 11 in Chicago. Hosted by the ASAE’s Midwest chapter and the World Listening Project this conference is the first of its kind in the United States.

Please visit the Midwest Society for Acoustic Ecology website for details on how to participate.

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The first of a 4-part radio series produced by the World Listening Project aired on framework:afield on Sunday, May 23rd. Framework is a weekly radio program produced by Patrick McGinley “consecrated to field recording and its use in composition.” Framework:afield is a special sub-series curated and produced by guest artists from around the world. The theme for this edition #285 is “Sounds You Might Have Heard” and has been produced by Dave Armstrong.

Visit http://www.frameworkradio.net to listen, subscribe to the podcast, and submit your own work to framework.

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I am creating an installation and five performances in Chicago’s Museum of Contemporary Art with Chad Clark, Brett Ian Balogh, and fellow members of Chicago Phonography for the MCA’s Here/Not There series.

Opening at 7 p.m., Tuesday, July 21 Chicago Phonography in “Here/Not There”

Museum of Contemporary Art

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Wednesday, May 13, 2009 - 6:30pm
SAIC Ballroom, 112 S. Michigan Avenue
The School of the Art Institute of Chicago

I perform with Global Warming featuring Elbio Barilari (guitar), Guillermo Gregorio(clarinet), Jeb Bishop (trombone), and Eric Hochberg (double bass), to celebrate the Poetry Center’s 36th Annual Reading Series.

Distinguished authors Stuart Dybek and Yusef Komunyakaa will read their work along with emerging artists Rachel Webster and the winners of the Poetry Center’s Hands on Stanzas Student Inaugural Poem Contest.

For more information about tickets and the contest visit http://poetrycenter.org

[This is an edited version of the July 28th blog post on my MySpace Music profile, and a follow-up to the July 9th post here.]

On July 1st I began work on new project called the World Listening Project. It was formed by small group of musicians and sonic artists with the initial goal of collecting field recordings from every country in the world and then presenting them on a web-based sound map for the Chicago Calling Festival (October 1–11, 2008). The festival director, Dan Godston cited R. Murray Schafer’s ideas and the World Soundscape Project as inspiration, as well as the work of Bernie Krausse of Wild Sanctuary. We’re excited have Bernie and Katherine  providing their ideas and support to the World Listening Project as we begin.

On the left is a proposed logo for the WLP, designed by Noé Cuellar.

Many sound mapping sites and interfaces exist on the web, among those I’ve noted often are SoundTransit, Locus Sonus Audio Streaming Project Map, and the recent Mississauga Sound Map. With this in mind our initial mission, as stated above, is now under discussion. Rather than being solely a field recording and sound map website, a broader range of practices, areas of investigation, and modes of presentation are being considered. The discussion on revising the WLP’s mission is public. Your participation may help if you subscribe to the World Listening Project’s (Yahoo! Group) listserv.

Among the ideas for project may include research and initiating geo-tagged audio projects, such as on Freesound.org. The WLP can promote investigations into the meaning, methods, and relations of information gathering through sound. We are also registering a non-profit organization to support this effort. Happily, we have many noteworthy artists and thinkers participating in this discussion. And, the membership of the listserv continues to grow.

I can mention many more fields of knowledge and practice that the World Listening Project can encompass, but I’d like to keep this post brief. Your participation can play a important role influencing the future of practices involving sound and listening in and of the world. If you wish to learn more about the discussion, or even join the worldlistening Yahoo! Group, please visit this link: http://launch.groups.yahoo.com/group/worldlistening/