— ericleonardson (@eleona) August 27, 2017
I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.
I look forward to meeting many World Forum for Acoustic Ecology (WFAE) members at the conference, and its two internationally renowned keynote speakers, Chris Watson and Leah Barclay. Continue reading
Archived on the Water-wheel, my presentation for Water Works! 4 on March 18, 2016.
I presented works by Christina Kubisch & Eckehard Güther, Jay Needham, Christopher DeLaurenti, and Thomas M. Siefert & Lasse-Marc Riek. More details posted here.
I am one of the curators for WATER WORKS! the 2016 Waterwheel online sharing event devoted to water in its social, economic, scientific, and artistic manifestations. Over this weekend people around the world can sign in for free to host or watch events at the Tap.
My four selected works are “Railroad Storm Drain” by Christopher DeLaurenti; “Unter Grund” by Christina Kubisch & Eckehard Güther; “von der rheinquelle bis hafen karlsruhe | rhein_strom,” by Thomas M. Siefert & Lasse-Marc Riek; and Jay Needham‘s “Liquesce 1.”
Our Tap is Water Works! 4, with Ricardo Dal Farra and Leah Barclay. It opens at 22:00 CDT. Again, the Tap is free to sign in and interact with anywhere in the world. Program, dates & times are posted at http://bit.ly/program-WaterWorks.
Over 150 contributors responded with a total of some 260 contributions accessible on the Waterwheel Media Centre. 22 curators assessed the contributions and will present a selection in a series of seven online panels on the Tap on 18-20 March 2016. Join the live streams at http://water-wheel.net/taps-list.
On March 25–26, I am participating in the pre-conference acoustic ecology workshop and overnight field trip to the Beaver Creek Biosphere Reserve, organized by the American Society for Acoustic Ecology. On March 27–29, I am honored to lead and present these panels and papers in the spectacular conference, Balance-Unbalance 2015: Water, Climate and Place, Reimagining Environments at Arizona State University (ASU).
Eco-sensing in Higher Education Curriculum
March 28, 2015 • 3:30pm Leonardson and Andrea Polli will lead a panel entitled Eco-sensing in Higher Education Curriculum. A conversation between an international group of academic practitioners and artists about the design and delivery of interdisciplinary curriculum in the arts, engineering and architecture that engages university students with listening and other forms of environmental sensing to promote creative ways to address ecological problems. Panelists will present examples and experiences using listening, field recording, sensors, data gathering, and other ways of sensing ecosystems. Panel participants are Linda Keane (AIADO, SAIC), Leah Barclay (UNESCO Biosphere Soundscapes project), Christopher Preissing (Composer), Lindsey French (Artist, SAIC), Meredith Hoy (Art History and Theory, ASU).
Stauffer B125, 950 S. Forest Mall, Tempe, AZ 85281
In January I am honored to be an artist-in-residence at Ragdale, a non-profit artists’ community in Lake Forest, Illinois. The estate includes live-in studios and a 50-acre prairie. My 25-day residency will provide time for many interests. This includes studio work, writing, class preparation, tour planning, and acoustic ecology. I will lead a public soundwalk for the World Listening Project and Midwest Society for Acoustic Ecology at the Brushwood Center in Ryerson Woods on Sunday, January 25.
2:30pm MST Friday, October 17th I am giving a talk in the Listenn Symposium on Acoustic Ecologies of the American Southwest Deserts, at Arizona State University. My talk is titled, “Acoustic Ecology and Ethical Listening,” on the fundamental role of listening in everyday experience, the arts, sciences, and humanities.