Handheld Audio Art Devices, article published in June at http://cec.concordia.ca/econtact/12_3/

eContact! is the Canadian Electroacoustic Community’s (CEC) online journal of electroacoustics launched in May 1998 as the successor to its print journal, Contact! …published four times a year in French and English. Guest editors have been invited to coordinate one issue per year. Articles, reviews, interviews, commentaries and analyses are featured in the journal, supported by audio and video files. All freely available to the public.

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Giant Ear))) curated by Eric Leonardson

The August 2009 edition of Giant Ear features interviews with Bernie Krause and Jerome Joy; selected field recordings and audio streams from the global Locus Sonus sound map, geo-tagged recordings from radio aporee, my Sonic Playground at Lake Crescent Park, Chicago Phonography performing at the Museum of Contemporary Art, as well as soundwalks by members of the World Listening Project and the Midwest Society for Acoustic Ecology.

Air date:

Sunday, August 30
7:00 PM—9:00 PM EDT (6:00 PM—8:00 PM CDT | UTC/GMT -5)
free103point9.org

Presented by the New York Society for Acoustic Ecology, Giant Ear))) is a two-hour radio show webcast weekly on Sundays, 7-9pm on free103point9.org
Download mp3 (filesize 144MB)

On Friday, May 2 SAIC’s Waveforms presented videos and performances by students from the Sound Department at the School of the Art Institute of Chicago. Gretchen Hasse from Gearwire came and interviewed many of the students in my Instrument Construction course, who opened the evening with an ensemble performance on their new instruments.

The video interviews are being completed now, and the first one up in the series is with Jenna Caravello, who worked all semester on her original acoustic instrument, the Celloharp. As you might guess from its name, this is a hybrid instrument. Jenna’s persistence and resilience in the face of so many kinds of challenges during its design and construction earns my respect and admiration.

The second video is an interview with Chris Burke who took Shawn Decker’s Programming For Sound course this spring. Chris dug deep into Max/MSP and Jitter software, and Ed Bennett’s ArtBus card, to come up with the Interactopus, a hardware interface for the real-time control of sound and video housed inside a warm, flexible fabric body.

Please visit this web page again and soon, as I announce more of Gretchen’s interviews with some of my outstanding student artists and their wonderful instruments.