Eric Leonardson

Posts Tagged ‘instruments’

Performing Saturday, December 12 at Hotti Biscotti

Please join Nick Sondy, Grant Strombeck, and me for a late night set of improvisations performed on experimental musical instruments and electronics.

10 PM Saturday, December 12 at:

Eric bows amplified coil spring

Hotti Biscotti
3545 W. Fullerton Ave. (corner of Drake Ave.)
Chicago IL 60647
(773) 292-6877
no cover
Google Map link

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5-minute Springboard Video Added to Youtube

This evening I uploaded a 5-minute video about the springboard to my youtube account. I made it two years ago with Gretchen Hasse. Please use this link to view: http://www.youtube.com/watch?v=id0MDuHX1hY

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Hardware Hacking book release party & concert at Quimby’s

HEM_bookcoverNic writes:

The new edition of my book, Handmade Electronic Music – The Art of Hardware Hacking, is out!  Lots of new circuits and illustrations, more examples of artists’ designs, and a DVD with 87 1-minute video clips by hackers from all over the globe, as well as a series of step-by-step video tutorials by me.

Here’s a little reminder: on Saturday, May 2, at 3PM Quimby’s Bookstore (1854 W. North Avenue) is hosting a book release party. I’ll screen some video, sign books, and the Chicago Symphacking Orchestra (CSO) will perform.  See http://www.quimbys.com/.

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March performances

Daniel Fishkin plays daxophone8:00 p.m., Saturday March 28

I perform at Enemy with Daniel Fishkin, daxophone player extraordinaire. The Green Pasture Happiness will open: Aaron Zarzutzki (no-output turntable), Daniel Fandiño (electronics), and Brian Labycz (electronics).

 
 
Enemy
1550 N. Milwaukee Ave., 3rd floor
Chicago IL 60622
www.enemysound.com
$5 donation suggested

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February performances

7:30 p.m. Saturday, Feb. 28 with Bryan Day, , sound artist, instrument inventor, and founder of free music label Public Eyesore

022809_EnemySound_postEnemy
1550 N. Milwaukee Ave., 3rd floor
Chicago IL 60622
www.enemysound.com 

Bryan Day and I will open for Evidence, Vertonen, and Katchmare

About Bryan Day

Omaha, Nebraska based improviser and concept artist Bryan Day (b. 1979) has been involved in the avant-garde music community for the last 12 years.  He started the, then Minneapolis-based, free music label Public Eyesore in 1997 as an outlet for his works using homemade electronic and mechanical sound generating devices, and to this day continues the process of expanding upon these themes.  Merging structure and chaos, Day uses an elaborate notation system and cellular automata based computer programs of his own design, along with the expressionist cues of visual art and modern dance for his inspiration. Rather than be known as a musician, he prefers to be known as an impulsive conceptualist, searching for difficult and inconvenient analogs to the contemporary experience using sound.

Bryan Day’s personal web page: www.publiceyesore.com/sistrum.htm

Myspace: www.myspace.com/daybryan

Public Eyesore: www.publiceyesore.com

Evidence is on a short Midwest tour, performing their Losperus project based on thrift store finds.

Upcoming Performances in November

Here’s an update, including three new performances added to my November schedule…

  1. 8 PM Friday, November 14 @ Elastic with Auris, plus Max Alexander, Julian Berke, and Andy Armstrong
  2. 2 - 5 PM Sunday, November 16 @ Green Mill performing solo Anaphora’s “Experimental (i)MPROVISATION” concert
  3. 8 - 10 PM, Sunday, November 16 @ Via Theatre with Chicago Phonography in “Exquisite City” exhibit
  4. 9 PM Friday, November 21 @ Enemy with Linda O’Keefe and Guillermo Gregorio

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Performing with Eric Glick Rieman at AV-aerie

Eric Glick Rieman, from Berkeley with his prepared Rhodes piano, will be performing with me this Friday, 8:00 p.m. at the AV-aerie, 2000 W. Fulton Street, Chicago, IL 60612, (312) 850-4030. $8 suggested donation.

This show is a double bill with The Young Equestrians from Brooklyn.

(If you know you can attend, please send me a message. Thanks to the
grief that the City of Chicago has given the folks at the AV-Aerie about
a license, they must promise this is a private party.)

Upcoming Chicago performances in August 2008

Sunday, August 3, 10:00 p.m.–2:00 a.m. on Something Else WLUW 88.7 FM Independent Community Radio, with Chicago Phonography / Live stream at http://wluw.streamguys.net/listen.pls

Related links:
http://chicagophonography.com/
Listen to Chicago Phonographers’ first live performance 

Monday, August 4, 7:30 p.m. at Myopic Books, 1564 N. Milwaukee Ave., with Jerry Bryerton (percussion) and Christopher Bruce (percussion), free

Related links:
http://www.myspace.com/jeromebryerton
http://www.myspace.com/christopherabruce

Monday, August 11, 9:00 p.m. at ELASTIC Arts Foundation 2830 N. Milwaukee Ave., 2nd Fl., with Carol Genettti (voice), double bill with Fred Lonberg-Holm (cello) solo, $7 suggested donation

This concert follows the opening reception (8:00—9:00 p.m., admission free) for Elastic Sound and Vision Gallery’s new exhibition, Unfinished Logan Square, featuring work by visual artist Tracy Kostenbader.

Friday, August 15, 8:00 p.m. at the AV-aerie, 2000 W. Fulton, with Bay Area composer and instrument inventor Eric Glick Rieman (prepared Rhodes electric piano), double bill with the Young Equestrians from Brooklyn, $8 suggested donation

Related links:
http://www.myspace.com/ericglickrieman
http://www.myspace.com/shaynadulberger
http://www.myspace.com/avaerie

Eric Glick Rieman lives in Berkeley, California where he composes music in many genres and improvises on a redesigned Rhodes electric piano, among other instruments. He has studied with Fred Frith, Pauline Oliveros, Maggi Payne, Eliane Radigue, Alvin Curran, Chris Brown, J. D. Parran, Douglas Ewart, Steed Cowart, and John Bischoff. He has organized the Thingamajigs festival. His 2003 CD on Accretions, “DalabaFrithGlickRiemanKihlstedt” was recorded with Lesli Dalaba (trumpet), Fred Frith (guitar), and Carla Kihlstedt (violin) , and “Lung Tree” (on ReR recordings in 2005) was recorded with Lesli Dalaba (trumpet), and Stuart Dempster (trombone).

Sunday, August 24 7:00 p.m. at ELASTIC Arts Foundation, 2830 N. Milwaukee Ave., 2nd fl., Los Cuatros Demonios opens for Terry Dame’s Electric Junkyard Gamelan

Los Cuatros Demonios is Tomeka Reid (cello), Carol Genetti (voice), Guillermo Gregorio (clarinet), Eric Leonardson (springboard), Dan Godston (trumpet, percussion), $10 suggested donation

Related links:
http://www.myspace.com/electricjunkyardgamelan
http://www.myspace.com/cellomama
http://www.carolgenetti.net
http://www.myspace.com/dangodstonmusic
http://www.myspace.com/ericleonardson

Monday, July 7, 8 p.m. @ Brown Rice

Live Improvised Music with Dan Godston and Guillermo Gregorio

1st set

Guillermo Gregorio — clarinets and saxophones
Eric Leonardson — springboard, amplified objects
Dan Godston — trumpet, small instruments

2nd set : Altamira
Ricardo Lagomasima — drums
John Deblase — electric bass
Nick Millevoi — guitar

 

Brown Rice
4432 N Kedzie Avenue
Chicago IL 60625
www.brownricemusic.org

8:00 p.m.
$5 suggested donation

Directions: Brown Rice is small storefront located a half block north of the Montrose-Kedzie intersection, a few blocks south of the Kedzie station on the CTA Brown Line. There is a small sign over the entrance that reads “Perfect”. View Map.

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New CD release, Rarebit on Transparency

Rarebit CD front coverRarebit

by Steve Barsotti and Eric Leonardson

Transparency CD0125

Performed and recorded with Steve Barsotti at Experimental Sound Studio in Chicago. From 1994 until 1999 we performed as a duo, and with other local and internationally known artists, including Dan Burke (Illusion of Safety), Carol Genetti, Fergus Kelly, Tatsu Aoki, Chris Heenan, Yuko Nexus6, Yasuhiro Otani, Satoru Wono, Claude Wiley, and many more.

Description:

Rarebit is the culmination of a four-year project in electroacoustic music by sound artists and instrument inventors Steve Barsotti and Eric Leonardson. Their self-built instruments produce remarkable sounds that belie their humble origin. Barsotti and Leonardson’s sense of musical form arises from their deep attention to the individual essences of sounds, rather than the conventional grid of harmony and meter. What results is abstract sound composition that possesses a communicative style. Rarebit will draw comparisons to the sound palettes and ethereal soundscapes of such intrepid purveyors of “left field” and exploratory music as Hal Rammel, Hugh Davies, and Bob Rutman. Nine tracks. Running time 72 minutes.

Rarebit can be purchased from Transparency for $15 ($12 plus $3 postage) to meridianavenue@yahoo.com via PayPal.