Eric Glick Rieman, from Berkeley with his prepared Rhodes piano, will be performing with me this Friday, 8:00 p.m. at the AV-aerie, 2000 W. Fulton Street, Chicago, IL 60612, (312) 850-4030. $8 suggested donation.

This show is a double bill with The Young Equestrians from Brooklyn.

(If you know you can attend, please send me a message. Thanks to the
grief that the City of Chicago has given the folks at the AV-Aerie about
a license, they must promise this is a private party.)

Sunday, August 3, 10:00 p.m.–2:00 a.m. on Something Else WLUW 88.7 FM Independent Community Radio, with Chicago Phonography / Live stream at http://wluw.streamguys.net/listen.pls

Related links:

http://chicagophonography.com/

Listen to Chicago Phonographers’ first live performance 

Monday, August 4, 7:30 p.m. at Myopic Books, 1564 N. Milwaukee Ave., with Jerry Bryerton (percussion) and Christopher Bruce (percussion), free

Related links:

http://www.myspace.com/jeromebryerton

http://www.myspace.com/christopherabruce

Monday, August 11, 9:00 p.m. at ELASTIC Arts Foundation 2830 N. Milwaukee Ave., 2nd Fl., with Carol Genettti (voice), double bill with Fred Lonberg-Holm (cello) solo, $7 suggested donation

This concert follows the opening reception (8:00—9:00 p.m., admission free) for Elastic Sound and Vision Gallery’s new exhibition, Unfinished Logan Square, featuring work by visual artist Tracy Kostenbader.

Friday, August 15, 8:00 p.m. at the AV-aerie, 2000 W. Fulton, with Bay Area composer and instrument inventor Eric Glick Rieman (prepared Rhodes electric piano), double bill with the Young Equestrians from Brooklyn, $8 suggested donation

Related links:

http://www.myspace.com/ericglickrieman

http://www.myspace.com/shaynadulberger

http://www.myspace.com/avaerie

Eric Glick Rieman lives in Berkeley, California where he composes music in many genres and improvises on a redesigned Rhodes electric piano, among other instruments. He has studied with Fred Frith, Pauline Oliveros, Maggi Payne, Eliane Radigue, Alvin Curran, Chris Brown, J. D. Parran, Douglas Ewart, Steed Cowart, and John Bischoff. He has organized the Thingamajigs festival. His 2003 CD on Accretions, “DalabaFrithGlickRiemanKihlstedt” was recorded with Lesli Dalaba (trumpet), Fred Frith (guitar), and Carla Kihlstedt (violin) , and “Lung Tree” (on ReR recordings in 2005) was recorded with Lesli Dalaba (trumpet), and Stuart Dempster (trombone).

Sunday, August 24 7:00 p.m. at ELASTIC Arts Foundation, 2830 N. Milwaukee Ave., 2nd fl., Los Cuatros Demonios opens for Terry Dame’s Electric Junkyard Gamelan

Los Cuatros Demonios is Tomeka Reid (cello), Carol Genetti (voice), Guillermo Gregorio (clarinet), Eric Leonardson (springboard), Dan Godston (trumpet, percussion), $10 suggested donation

Related links:

http://www.myspace.com/electricjunkyardgamelan

http://www.myspace.com/cellomama

http://www.carolgenetti.net

http://www.myspace.com/dangodstonmusic

http://www.myspace.com/ericleonardson

Live Improvised Music with Dan Godston and Guillermo Gregorio

1st set

Guillermo Gregorio — clarinets and saxophones
Eric Leonardson — springboard, amplified objects
Dan Godston — trumpet, small instruments

2nd set : Altamira
Ricardo Lagomasima — drums
John Deblase — electric bass
Nick Millevoi — guitar

Brown Rice

4432 N Kedzie Avenue
Chicago IL 60625
www.brownricemusic.org

8:00 p.m.
$5 suggested donation

Directions: Brown Rice is small storefront located a half block north of the Montrose-Kedzie intersection, a few blocks south of the Kedzie station on the CTA Brown Line. There is a small sign over the entrance that reads “Perfect”. View Map.

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Rarebit

by Steve Barsotti and Eric Leonardson

Transparency CD0125

Performed and recorded with Steve Barsotti at Experimental Sound Studio in Chicago. From 1994 until 1999 we performed as a duo, and with other local and internationally known artists, including Dan Burke (Illusion of Safety), Carol Genetti, Fergus Kelly, Tatsu Aoki, Chris Heenan, Yuko Nexus6, Yasuhiro Otani, Satoru Wono, Claude Wiley, and many more.

Description:

Rarebit is the culmination of a four-year project in electroacoustic music by sound artists and instrument inventors Steve Barsotti and Eric Leonardson. Their self-built instruments produce remarkable sounds that belie their humble origin. Barsotti and Leonardson’s sense of musical form arises from their deep attention to the individual essences of sounds, rather than the conventional grid of harmony and meter. What results is abstract sound composition that possesses a communicative style. Rarebit will draw comparisons to the sound palettes and ethereal soundscapes of such intrepid purveyors of “left field” and exploratory music as Hal Rammel, Hugh Davies, and Bob Rutman. Nine tracks. Running time 72 minutes.

Rarebit can be purchased from Transparency for $15 ($12 plus $3 postage) to meridianavenue@yahoo.com via PayPal.

My presentation for the 2007 Toronto Electroacoustic Symposium has just been published. eContact!, the electronic journal of electroacoustics, is published by the Canadian Electroacoustic Community (CEC).

This issue was edited by David Ogburn, Chair of TES 2007.

Please visit the eContact! 10.3 Table of Contents

Direct link to my article:
The Springboard: The Joy of Piezo Disk Pickups for Amplified Coil Springs

View a photo of the Springboard

Hal Rammel gave me the license to make my own instruments in 1990. Tonight I learned from Hal that a web page is up about the wonderful exhibition of experimental musical instruments he curated, “The Shapes of Sound: Musical Instruments and the Imagination in the Midwest.”

The show was held in late 1997 at Woodland Pattern Book Center in Milwaukee, Wisconsin. I was among the 14 artist-inventors who had their instruments displayed. I also gave a brief performance in the show. Visit the page at www.woodlandpattern.org/gallery/shapes_of_sound.shtml

Many photographs from the show are on this page with Hal Rammel’s catalog essay. To learn more about his fascinating writing, visual art, and music, please visit Hal’s homepage, his MySpace page, and YouTube.

More video interviews with students from my 2008 Instrument Construction course at SAIC have been uploaded.

• SAIC Student Rob Martens: Evil Brother Of Snap, Crackle and Pop Martens?
  http://www.gearwire.com/theramin-instrument-construction.html
• (Part 1) SAIC Student Bethany Childs Tempts The Fury Of Neptune
  http://www.gearwire.com/conchshell-instrument-construction-001.html
• (Part 2) SAIC Student Bethany Childs And Playing An Interfaced Conch Shell
  http://www.gearwire.com/conchshell-instrument-construction-002.html

• Stuart Schmidt Is More Machine Than Man, Now
  http://www.gearwire.com/glove-controller-instrument-construction.html
• Cycling 74 Max: Kyle Evans’ Cigar Box Controller Controls Air Traffic Control
  http://www.gearwire.com/cigarbox-controller-instrument-construction.html

And as mentioned previously…

• Chris Burke’s Interactopus: One Man’s Trash Is Another Man’s Interactopus
  http://www.gearwire.com/interactopus-instrument-construction.html
• Jenna Caravello’s Celloharp Promotes Inter-Instrumental Hybridization
  http://www.gearwire.com/celloharp-instrument-construction.html

One highlight from 2007’s Instrument Construction class remains the “Bubble Organ” designed and built by Aaron Wendel.

Below is a short, unedited video clip of Aaron’s instrument.

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On Friday, May 2 SAIC’s Waveforms presented videos and performances by students from the Sound Department at the School of the Art Institute of Chicago. Gretchen Hasse from Gearwire came and interviewed many of the students in my Instrument Construction course, who opened the evening with an ensemble performance on their new instruments.

The video interviews are being completed now, and the first one up in the series is with Jenna Caravello, who worked all semester on her original acoustic instrument, the Celloharp. As you might guess from its name, this is a hybrid instrument. Jenna’s persistence and resilience in the face of so many kinds of challenges during its design and construction earns my respect and admiration.

The second video is an interview with Chris Burke who took Shawn Decker’s Programming For Sound course this spring. Chris dug deep into Max/MSP and Jitter software, and Ed Bennett’s ArtBus card, to come up with the Interactopus, a hardware interface for the real-time control of sound and video housed inside a warm, flexible fabric body.

Please visit this web page again and soon, as I announce more of Gretchen’s interviews with some of my outstanding student artists and their wonderful instruments.

SAIC’s Waveforms presents sound works and performances by students from the Sound Department at the School of the Art Institute of Chicago, on Friday, May 2 at the Fine Arts Building (Curtis Hall)
7:00-10:00pm, 410 S. Michigan Avenue 10th floor, Curtis Hall, FREE ADMISSION

Students in my Instrument Construction course will open, performing as an ensemble of invented and hybrid electronic and acoustic instruments, during Looptopia.
Here are some photos of the instruments that the students will be performing on: