I describe how our thematically-focused soundwalks can serve as immersive, mindful ways to entertain, research, and discover a rich variety of meanings and interrelationships in one’s soundscape.
Soundwalks are free events, held across Chicago by various artists who have relationships with music, dance, socially engaged art and technology, black history, citizen science, nature, and landscape architecture. Teaching artists, many who are alumni of the School of the Art Institute of Chicago, have their own relationships with the residents of Chicago’s diverse neighborhoods, and with local staff and volunteers, actively engage residents in the care and use of these parks. Given our focus on the ecological practice of soundwalking and listening, residents gain a unique and enhanced understanding of their soundscape that builds deeper relationships with individuals and community.
Until the end of August, for World Listening Day 2015 the publisher, Taylor & Francis is offering free downloads of my article, “Sound and Listening: Beyond the Wall of Broadcast Sound” in the Journal of Radio & Audio Media.
My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4,The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.
This compilation on The Sound of Live Performance assembles those “sound failures, the misassigned patch, unintended playing outcomes, FX overloads, calibrations and pinnacles of performative exploration” that offer sources for eclectic new material.
eContact! is the Canadian Electroacoustic Community’s (CEC) online journal of electroacoustics launched in May 1998 as the successor to its print journal, Contact! …published four times a year in French and English. Guest editors have been invited to coordinate one issue per year. Articles, reviews, interviews, commentaries and analyses are featured in the journal, supported by audio and video ﬁles. All freely available to the public.
This colorful video features sound artist Charles Cohen improvising on a 1970’s Buchla Music Easel. This extremely rare instrument is one of Don Buchla’s 200 series. Buchla (a pioneer of audio synthesis) only manufactured 14 of these units. The entire film was edited from an hour-long set of free improvisation, with audio was taken directly from Charles’ mixing board.
All of the photography and editing was produced by Alex Tyson, a sound and video artist from Pennsylvania. The film was shot in 16:9 720p High Definition format, using the Letus35 Extreme and a 35mm LensBaby 3GPL.
Produced and performed by students of Eric Leonardson’s Introduction To Sound course.
Travel through space while staying in one place.
Each student will give a tour through a “room” or “place” they have created. There are eleven students and thus, eleven rooms that each will lead you from one student’s radiophonic room to the next for one hour.
We will enjoy hearing your feedback during the show. Call 312.345.3805 or use the real-time messaging.