The August 2010 issue of furthernoise.org features four reviews of Mimeomeme’s new releases, including my CD, Rarebit with Steve Barsotti.
Mimeomeme is the Seattle-based label for “…unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, tape cut-ups and other oblique, not-yet-classified sonic epiphenomena.”
Rarebit is a culmination of my work with Steve Barsotti performing on our invented instruments.
“Furthernoise is an online platform for the creation, promotion, criticism and archiving of innovative cross genre music and sound art for the information & interaction of the public and artists alike.” Listen to selected tracks from the Mimeomeme label among other fascinating artists on the furthernoise.org audio player.
You’re invited to participate in a special project of radio aporee and the World Listening Project for the first World Listening Day, on Sunday, July 18, 2010.
Radio aporee is an open project about the creation and exploration of public space. Its creator, Udo Noll asks you for help in creating an “audio snapshot of the world” as heard and recorded on World Listening Day. Aporee maps uses the Google maps interface to allow anyone to easily find their location on the map, then upload their audio via the web or mobile phone.
We’re inviting you to send an audio recording from your actual location, or other places of your interest on this day to the maps: http://aporee.org/maps/.
With your contributions collected on World Listening Day, Udo will then create a dedicated project page on the aporee map. As Udo says, “…besides having a nice documentation, I’m really intrigued by the idea of listening to the sounds of a particular day, around the world….” I’m very curious about what will happen, too.
The first of a 4-part radio series produced by the World Listening Projectaired on framework:afield on Sunday, May 23rd. Framework is a weekly radio program produced by Patrick McGinley “consecrated to field recording and its use in composition.” Framework:afield is a special sub-series curated and produced by guest artists from around the world. The theme for this edition #285 is “Sounds You Might Have Heard” and has been produced by Dave Armstrong.
Recently, I started using AudioBoo and found it to be a fun social media “play thing” for posting field recordings. One interesting feature with potential for serious use is AudBoo’s ability to create a podcast in the iTunes Music Store. There you can download to the files or “boos” as well as subscribe to the podcast. You can tag your boos, search boos. This is the link for my AudioBoo. As in Twitter you can follow the profiles. You can also subscribe to everyone’s AudioBoos on the iTunes AudioBoos full podcast.
Originally uploaded by eleonardson
This evening’s show was quite wonderful. We played for an hour and a half, and our attentive audience all stayed for an impromptu discussion afterward. We all didn’t expect this to happen and thoroughly enjoyed it. We felt so welcome…many thanks to Laura Shaeffer and Chris Hammes for making this happen.
More info about The Op Shop is on their website: theopshop.org
Here is an excerpt from the recording of the performance.
I am creating an installation and five performances in Chicago’s Museum of Contemporary Art with Chad Clark, Brett Ian Balogh, and fellow members of Chicago Phonography for the MCA’s Here/Not There series.
Museum of Contemporary Art
220 East Chicago Avenue
Chicago, IL 60611
Tel: 312.280.2660 | 312.397.4010
Admission is FREE all day on Tuesdays
July 21—26, 2009
I contributed a field recording to Mary Jey’s show on Sounds of Destruction for this month’s Giant Ear broadcast on Sunday, June 28 from 7-9pm (Eastern). Listen on free103point9.org (streamed on the net).
This Spring semester my Introduction to Sound students at SAIC produced four one-hour live webcasts. These are now available in the Free Radio SAIC archive.