Sound Department Colloquium Series – Feb 25

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Scene from “SoundTent At Camp Sherwin,” a dawn chorus transmission event with The Radius (Episode 63), on May 2, 2015.

SOUND DEPARTMENT COLLOQUIUM SERIES

SPRING 2016

ERIC LEONARDSON
Thursday, Feb. 25th,
4.15 p.m.

Room 522,
112 S Michigan

This presentation open to all School of the Art Institute of Chicago (SAIC) students, staff, and faculty.

Find the poster (PDF) here.

May 8: Original Instruments Ensemble at SAIC

OIE poster

Friday, May 8 at 2:30pm – 4:30pm, my Instrument Construction students will conclude the spring semester with a display of, and performances with, their new and original instrument inventions for SAIC students, staff, and faculty at the Leroy Neiman Center.

School of the Art Institute of Chicago
37 S. Wabash Avenue
Chicago IL 60603

 

Team Teaching Award for Eco-Sensing and the Soundscape

ecosensingsoundscapeIn October 2014 Lindsey French and I were awarded our request to team-teach a proposed course called Eco-Sensing and the Soundscape at The School of the Art Institute of Chicago, for the 2015-16 academic year. Please visit our course blog: https://ecosensingsoundscape.wordpress.com/

Our course will be offered in the Fall 2015 term and cross-listed with the school’s departments of Art and Technology Studies and Sound.

Lindsey French is a Chicago-based artist and educator. Engaging in gestures of communication with landscapes and the nonhuman, her work spans a variety of media including video, performance, audio sculpture, and generative literature. Find more info on her website.

The School provides opportunities for its faculty from different departments to co-teach expanded curricular offerings, and the committee thanks you both for your contributions as colleagues and valued members of the School community.

Amherst College Copeland Colloquia on Art in Place / the Place of Art

ArtinPlacePosterFallFinalBeginning in January I will be an artist-in-residence at Amherst College. I was selected by faculty at Amherst College to be a Copeland Fellow in their colloquium on “Art in Place/the Place of Art.” The Copeland Fellows for the spring semester also include saxophonist Matana Roberts, filmmaker Catherine Masud, and choreographer Idan Cohen.

The Copeland Colloquium was established in 1971 by Morris A. Copeland, Class of 1917, and his wife, Mary, with the intent “to bring together people of diverse backgrounds and different perspectives to engage with faculty and students at Amherst College in a way designed to promote the cross-fertilization of ideas.” The Copeland Fellows, who often participate in colloquia and other programming on campus, bring to the College a variety of perspectives and interests, enriching the Amherst community.

Read more about the Copeland Colloquia here.
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December 5, Variations VI Performance at Neiman Center, SAIC

Variations VI poster7:00–9:00 pm Wednesday, December 5

Leroy Neiman Center
School of the Art Institute of Chicago
37 S. Wabash Avenue
Chicago IL 60603

Variations VI (1966), for a plurality of sound-systems (any sources, components and loud-speakers) will be performed by students, faculty, and others in the Leroy Neiman Center at The School of the Art Institute of Chicago, on Wednesday, December 5, 2012. Variations VI is one of a set of seven variations composed between 1958 and 1967 by American composer, John Cage (September 5, 1912 — August 12, 1992).

This performance was organized by composer, instrumentalist, and SAIC Faculty member Julia Miller. Projects/Systems/Scores are designed by its performers: Lee Blalock, James Connolly, Anna Friz, Eric Leonardson, Julia A. Miller, Alyssa Moxley, Enid Smith, and Will Soderberg. Located in downtown Chicago, the Neiman Center is SAIC’s first ever campus center, recently opened in May 2012.

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