World Listening Day 2016 | Sounds Lost & Found | The 606 Soundscape

606soundscapeFor World Listening Day 2016, I have organized a cohort of teaching artists and musicians who will transform our experience of The 606 & Bloomingdale Trail soundscape in Chicago this Saturday, Sunday and Monday, July 16–18. Events will actively engage in new ways of outdoor listening and sound making. Please visit the 606 Soundscape blog and Facebook Events for the full schedule. Attendance is free and open to all ages.

Along with performances and soundwalks, a global virtual symposium hosted through #SoundCon and the World Listening Project, celebrates World Listening Day 2016 “Sounds Lost and Found.” I give my brief keynote at 8:00 PM (Central time), following Sunday evening’s Sound Treasure Hunt. Watch the live stream via YouTube LIVE.

The 606 Soundscape project is made possible, in part, with support of the Chicago Park District and Trust for Public Lands.

June 6: Frequenzgänge #52, Hamburg

Blurred Edges Festival11159511_10152680873611682_2882384224842458634_n | Elektroakustische Frequenzverschiebungen I

Centro Sociale
Sternstr. 2
20357 Hamburg
www.centrosociale.de

Eric Leonardson: springboard
Lê Quan Ninh: percussion
Birgit Ulher: trumpet, radio, speaker
Angharad Davies: violin
Gunnar Lettow: e-bass, objects, electronics

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7PM, Wed. Feb. 4 Articular Facet Performs Bracken In RhinoFest 2015

7PM , Wed. Feb. 4 RhinoFest 2015
Prop Theater
3502 N Elston Avenue
Chicago, Illinois 60618

I perform in “Bracken (after Christian Wolff)” by Nicolas Collins (2014) with Articular Facet.
Bracken adapts the language of circuits and software for interpretation by any instrument. A computer generates and projects a live streaming score that that directs the payers to interact with one another following rules derived from binary logic and various methods of analog and digital signal processing. Articular Facet first performed Bracken for the Chicago Composers’ Consortium in 2014.

Performers include: Sam Bradshaw, contrabass; Johanna Brock, violin; Mark Hardy, electronics; Deirdre Harrison, voice and objects; Ed Herrmann, skatchbox; Dan Godston, trumpet; Eric Leonardson, springboard; Jeff Kowalkowski, Nord; Julia Miller, electric guitars; William Jason Raynovich, cello; Sid Samberg, viola and piano; Will Soderberg, electronics

Also performed this evening, “The Hound” by Mark Hardy.

Explanation and instructions of Bracken score.

Signal Culture Cook Book

It’s a pleasure to announce publication of the Signal Culture Cook Book, an e-book showcasing media production recipes and tips from 23 artists doing experimental work in video, sound, digital and related media. Edited by Tammy McGovern, with an introduction by Gerar Edizel: “How to Make and Use a Piezoelectric Contact Mic” is my contribution described with clear illustrations and alternative applications.
cookbook

The Signal Culture Cook Book is a collection of techniques and creative practices employed by artists working in the field of media arts. Articles include real-time glitch video processing, direct laser animation on film, transforming your drawing into a fake computer, wi-fi mapping, alternative uses for piezo mics, visualizing earthquakes in real time and using swarm algorithms to compose new musical structures. There’s even a great, humorous article on how to use offline technology for enhancing your online sentience – and more!

signalculturelogosquare3Contributors to the cookbook include Atif Akin, Brett Ian Balogh, Jason Bernagozzi, Michael Betancourt, Alan Bigelow, Michael Bosworth, Angélica Piedrahita, Carl Diehl, Nicholas Economos, Jesse England, Pascale Gustin, Darius Kazemi, Eric Leonardson, Evan Merz, Ellen Pearlman, Kristin Reeves, Stephanie Rothenberg, Bill Sack, Ruth Sergel, Michael Trigilio, Lee Montgomery, Charles Woodman, and Judson Wright.

November 20, X-Act Sound On Free Radio SAIC

poster design by Fred Henzel, 2012

X-Act Sound, a live one-hour radio listening experience created by students of Eric Leonardson’s Introduction To Sound course, at the SAIC Department of Sound.

Date: Tuesday, November 20
Time: 2:30 – 3:30 PM (US CST / GMT -6)

Listen at Free Radio SAIC

What you can expect to hear: sounds made live and recorded in the field and in the studio, using microphones, tape loops, modular synthesizer, analog and Pro Tools mixing, laptop edits-on-the-fly, broken connections, audio captured on the Internet, electronic music, musique concrète, voices, contact microphones amplifying machines, bicycles, coils in electromagnetic fields, silence, and more…Login to chat with us while we are “on the air.”

Free Radio SAIC is the student-run Internet radio station of The School of the Art Institute of Chicago. We use an open programming format and encourage our DJs to explore and experiment with the medium of live radio. Program content and style vary but generally include music from all genres, sound art, narratives, live performances, current events and interviews.

This show will be be available afterward on the archive.

November 19 at Myopic With Albert Wildeman (bass)

Eric Leonardson performs at Myopic. (Photo taken by Aaron Zarzutski, August 2008)

7:30 PM, Monday, November 19

Myopic Bookstore
1564 N. Milwaukee Avenue Chicago, IL 60622
Find us up on the second floor.

Albert Wildeman (bass) and Eric Leonardson (springboard, electronics) perform in the weekly Myopic Improvised/Experimental Music Series, curated by Fred Lonberg-Holm, Brian Labycz and Aaron Zarzutzki.

More info the Myopic Improvised/Experimental Music Series: www.myopicbookstore.com/music.html

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Plasticene’s Final Performance: Graphomania

AFTER SEVENTEEN YEARS, CHICAGO’S PIONEER PHYSICAL THEATER COMPANY

ANNOUNCES OUR FINAL PERFORMANCE PIECE, GRAPHOMANIAx, A WORLD PREMIERE ORIGINAL WORK, MARCH 17th THROUGH APRIL 1st AT THE CHOPIN THEATER DOWNSTAIRS FOR TEN PERFORMANCES ONLY!

Press Contact: Dexter Bullard dexter@plasticene.com 773.960.9098

GRAPHOMANIAx is a theatrical examination of meaning, privacy and consequence in a paranoid world flooded with data. Plasticene’s performers gather, record, decode, struggle, and crunch information to save the state and themselves from unknown but imminent threat. Masters of scenic innovation, the company uses three rolling chalkboards, complex video projections, experimental live sound, and textured lighting, to build mysterious, visceral, and striking theater. The piece was workshopped as part of City of Chicago’s “In the Works” program at Millennium Park in 2011 with participation of performers Sharon Göpfert and director Paola Colletto.

GRAPHOMANIAx marks Plasticene’s final creation. The company and its mission will remain in existence, but will no longer create new performance work as a collective.

When:

Saturday 3/17 Preview 7:30pm
Sunday 3/18 Preview 3:00pm
Monday 3/19 Opening 7:30pm PRESS INVITED – Please reserve at 773.960.9098 or dexter@plasticene.com
Thursday 3/22 Performance 7:30pm
Friday 3/23 Performance 7:30pm
Saturday 3/24 Performance 7:30pm
Su 3/25 Performance 3:00pm
Thursday 3/29 Performance 7:30pm
Friday 3/30 Performance 7:30pm
Saturday 3/31 Performance 7:30pm
Su 4/1 Performance 3:00pm

Where:

CHOPIN THEATRE, 1543 West Division, Chicago, IL 60642
tel 773-278-1500 / cell 773-396-2875 www.chopintheatre.com

Tickets:
Previews all seats $10 Performances $20 full price, $12 student rush half-hour before curtain, as available.
Make reservations at http://graphomania.eventbrite.com
More Info: 773.960.9098
Visit and “Like” Plasticene’s Facebook Page: www.facebook.com/Plasticene

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Annette Krebs at Enemy, Friday, September 23

9:00 PM Friday, September 23

Annette Krebs / Eric Leonardson Duo
Aaron Zarzutzki / Brent Gutzeit Duo
Brian Labycz / Daniel Fandino / Jim Baker Trio
Annette Krebs / Julia Miller Duo

Enemy
1550 N. Milwaukee Avenue, 3rd floor
Chicago IL 60622
www.enemysound.com

Annette Krebs studied music and concert guitar in Frankfurt/Main, and has lived in Berlin since 1993. She has worked intensively in the crossover area between improvisation and composition, exploring the possibilities of the prepared guitar with regard to sound, structure, noise, the mixing of materials, and space.
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Last Broadcast of “Something Else”

something else

Something Else Radio Program Sundays 10pm–2am WLUW 88.7FM CHICAGO (1995-2010)

On Sunday, December 19 Chicago’s longest running radio show for experimental, avant-garde music, phonography, and other genres of audio art makes its final broadcast, concluding 15-years of programming. In less than two weeks Philip von Zweck, the host and producer of Something Else who started the show in October 1995, will move on to other things. Continue reading