My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4, The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.

This compilation on The Sound of Live Performance assembles those “sound failures, the misassigned patch, unintended playing outcomes, FX overloads, calibrations and pinnacles of performative exploration” that offer sources for eclectic new material.

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The August 2010 issue of furthernoise.org features four reviews of Mimeomeme’s new releases, including my CD, Rarebit with Steve Barsotti.

Mimeomeme is the Seattle-based label for “…unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, tape cut-ups and other oblique, not-yet-classified sonic epiphenomena.”
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