Our panel discussion for the Balance-Unbalance 2017 “Sense of Place” conference in Plymouth, UK streams on YouTube Live. Advances in Eco-Sensing and the Soundscape: A Virtual Panel takes place at 2:20-3:20pm BST (8:20-9:20am US CDT), on Wednesday, August 23.
I’ll be leading a panel with Lindsey French and Linda Keane at The School of the Art Institute of Chicago, sound and media artists Leah Barclay in Brisbane, Amanda Gutiérrez in Mexico City. Grant Smith of SoundCamp will facilitate on-site in Plymouth, UK.
Their individual and combined efforts engage and activate students and public communities in design of urban soundscapes using virtual environments, social codes of immigrant communities, river listening, soundwalking, plant communication, art-science collaborations, and new media.
Big thanks to the Chicago Parks Foundation for posting the June 1st, “Soundwalking in Chicago Parks,” interview highlighting the Midwest Society for Acoustic Ecology’s Night Out In the Parks soundwalk series, employing local teaching artists with support of the Chicago Park District.
I describe how our thematically-focused soundwalks can serve as immersive, mindful ways to entertain, research, and discover a rich variety of meanings and interrelationships in one’s soundscape.
The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.
The conference dates are April 7–9, and location is Sao Miguel Island, Azores.
Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!
My Radius Episode 63, “SoundTent at Camp Sherwin” (2015) was among the works featured in EXTREME WEATHER, an exhibition at Murmur Gallery, Atlanta, from December 3 – 28, 2015, curated by Meredith Kooi.
On March 25–26, I am participating in the pre-conference acoustic ecology workshop and overnight field trip to the Beaver Creek Biosphere Reserve, organized by the American Society for Acoustic Ecology. On March 27–29, I am honored to lead and present these panels and papers in the spectacular conference, Balance-Unbalance 2015: Water, Climate and Place, Reimagining Environments at Arizona State University (ASU).
Eco-sensing in Higher Education Curriculum
March 28, 2015 • 3:30pm Leonardson and Andrea Polli will lead a panel entitled Eco-sensing in Higher Education Curriculum. A conversation between an international group of academic practitioners and artists about the design and delivery of interdisciplinary curriculum in the arts, engineering and architecture that engages university students with listening and other forms of environmental sensing to promote creative ways to address ecological problems. Panelists will present examples and experiences using listening, field recording, sensors, data gathering, and other ways of sensing ecosystems. Panel participants are Linda Keane (AIADO, SAIC), Leah Barclay (UNESCO Biosphere Soundscapes project), Christopher Preissing (Composer), Lindsey French (Artist, SAIC), Meredith Hoy (Art History and Theory, ASU).
Stauffer B125, 950 S. Forest Mall, Tempe, AZ 85281
The Sound Projector, the wonderful, British music magazine and radio show, posted a Rupert Loydell’s new review of “Rub,” my 2013 CD with Auris and Gino Robair.
On Saturday, March 30 I was among the artists performing and presenting installations for Soundfest at Amherst College. Katharine Duke’s review was published on Wednesday, April 3rd, with photos by Cole Morgan and Rob Mattson, including an audio excerpt of my piece, “Similaria” here: https://www.amherst.edu/aboutamherst/news/campusbuzz/node/462685
Artists participating in Soundfest included faculty and alumni of Amherst College, local artists, and Copeland Fellows like myself, a part of the 2012–13 Copeland Colloquium: “Art in Place / the Place of Art.”