Invisible Places 2017

On Friday, April 8 Amanda Gutierrez and I led a workshop entitled How do soundwalks engage urban communities in soundscape awareness? for Invisible Places: Sound, Urbanism and Sense of Place in Ponta Delgada, São Miguel Island, Azores, Portugal. With Norman W. Long in Chicago, fellow teaching artist who led soundwalks in our Soundwalks In the Parks last year, contributing, Amanda and I provided ideas and, of course, a soundwalk. A productive discussion discussion concluded the workshop. My colleague from Berlin, Antonella Radicchi posted an excellent text and images about the overall conference experience, including our workshop, and her presentation on the Hush City app, “…developed to empower local communities to identify, map and evaluate quietness on their neighborhoods.”

soundwalk workshop listening

Eric Leonardson leads workshop participants in “Ear Cleaning” exercise in preparation for the soundwalk. Photo by Amanda Gutierrez, 2017

Amanda and I will post our own workshop report for the Midwest Society for Acoustic Ecology.

Chicago ‘Soundwalks’ Ask You To Stop Talking And Listen To Your City | DNAinfo

Go at Art Institute of Chicago

Sound composition created for the imageexhibition Go in the Modern Wing of the Art Institute of Chicago.

February 23–June 4, 2017
Modern Wing, Abbott Galleries 182–184

Art Institute of Chicago
159 East Monroe Street
Chicago IL 60603

My audio composition reflects and embodies the sensation of speed, rapid technological change, and cacophony using selected works from the canon of 20th Century music. These are mixed with my own sound compositions and recognizable real world sounds that document experiences, sensations, and devices for acceleration and breaking barriers of time and space. Many are iconic of artists’ interests in using technologies of speed, echoing the visual and kinetic artworks on display.

 

WFAE, New Journal, New Website

On February 1, 2017 it was my great pleasure to introduce the new issue of a newly formatted WFAE Quarterly News announcing the launch of the organization’s rebuilt website, an active blog, and the publication of the WFAE’s first digital journal, Soundscape: The Journal of Acoustic Ecology, Volume 15.

Tribute for Pauline Oliveros at Fridman Gallery

Dear Friends, Happy New Year greetings!

At 6pm Sunday, 8 January I will join the Apple Box Orchestra in a large tribute for Pauline Oliveros, the great female pioneer of electronic music and founder/exponent of Deep Listening, who died at age 84, on 26 November 2016.

FRIDMAN GALLERY
287 Spring Street
New York, NY 10013
between Varick and Hudson
(646) 345-9831
info@fridmangallery.com

This tribute launches the New Ear Festival ’17 at Fridman Gallery 8–16 January. Gallery director Iliya Fridman wrote…

The idea is to assemble an “Apple Box Orchestra” consisting of live, telematic and pre-recorded performers throughout the day. Here is Pauline’s description of the piece:


…remembering the instruments I made in San Francisco at the end of the ’50s and remembering I had a piece called “Apple Box.” I had an old apple box I liked and I knew. It was like an old friend as well, because an apple box that has seasoned wood is a very resonant box. I used to amplify the box and put all kinds of things on the box to play: curb scrapers from automobiles, little implements from the kitchen — anything, small little things — and then amplify them, do things with them, make sounds.
Between the Apple Box Orchestra sets Leila Bordreuil (cello) and Peter Evans/Nate Wooley are doing a two-trumpet version of Earth Ears. Also, this video from her performance at the gallery last September with Seth Cluett will play as part of the 9 Evenings + 50 series.

Pauline Oliveros and Seth Cluett – 9 Evenings +50 from Fridman Gallery on Vimeo.

Soundwalk In Ryerson Woods | Midwest Society for Acoustic Ecology

Brushwood Logo.smallAn invitation to Midwest Society for Acoustic Ecology’s next soundwalk in the Ryerson Woods Conservation Area.

1:00 – 3:00 p.m. Sunday, November 20

Brushwood Center at Ryerson Woods
21850 N. Riverwoods Rd.
Riverwoods, IL 60015
847.968.3343
info@brushwoodcenter.org

$3/person. Register here or call 224.633.2426 to register by phone.

Share the Facebook Event

On this soundwalk I will be engage participants in their experience of the wooded soundscape, and making a sound map of the place, bounded by the Des Plaines River and River Woods Road. A soundwalk, as I offered in this piece, may be conducted in many different ways.

The short “What is a soundwalk?” video offers a media introduction on this practice.

Listening ahead, the final three soundwalks in Midwest Society for Acoustic Ecology’s 2016 Night Out In the Parks series happen in December, in these parks on these dates, with these teaching artists:

  • Washington Park, Saturday, December 11 led by Norman W. Long
  • West Ridge Nature Preserve, Saturday, December 18 led by Eric Leonardson
  • Garfield Park Conservatory, Wednesday, December 21 led by Amanda Gutierrez

Please visit Midwest Society for Acoustic Ecology exact times, details. To receive email updates, subscribe to my newsletter. Thanks!

Invisible Places 2017 Call For Submissions

The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.

The conference dates are April 7–9, and location is Sao Miguel Island, Azores.

Keynote speakers are Hildegard Westerkamp and Sam Auinger.

Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!