Sound + Environment University of Hull | The Frequent Listener

I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.

I look forward to meeting many World Forum for Acoustic Ecology (WFAE) members at the conference, and its two internationally renowned keynote speakers, Chris Watson and Leah Barclay. Continue reading

Farm-to-Fork Dinner Waste Not, Want Not on May 18

image of sprouting seed

Ryan Griffis and Sarah Ross, Research photograph for A Great Green Desert, 2016.

I am serving up some sounds for a special dinner on Thursday, a part of the exhibition The Earth Will Not Abide. Nourish your body and feed your mind with conversation around the politics of sustainability. 

Thursday, May 18, 2017 – 6:00PM to 8:00PM
Gallery 400
400 S. Peoria St.
Chicago IL

Sorry, the RSVP has closed. Please see the exhibition and consider attending the upcoming forum, This Land/That Land Symposium.

The dinner will explore topics of food waste and our collective relationship to agriculture. Nourish your body with a farm-to-fork prepared meal by Chef Abra Berens and feed your mind with conversation around the politics of sustainability. More…

Go at Art Institute of Chicago

Sound composition created for the imageexhibition Go in the Modern Wing of the Art Institute of Chicago.

February 23–June 4, 2017
Modern Wing, Abbott Galleries 182–184

Art Institute of Chicago
159 East Monroe Street
Chicago IL 60603

My audio composition reflects and embodies the sensation of speed, rapid technological change, and cacophony using selected works from the canon of 20th Century music. These are mixed with my own sound compositions and recognizable real world sounds that document experiences, sensations, and devices for acceleration and breaking barriers of time and space. Many are iconic of artists’ interests in using technologies of speed, echoing the visual and kinetic artworks on display.

 

Invisible Places 2017 Call For Submissions

The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.

The conference dates are April 7–9, and location is Sao Miguel Island, Azores.

Keynote speakers are Hildegard Westerkamp and Sam Auinger.

Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!

radioCona:0.2425 FM Soundart Exhibition Rebroadcast on WGXC 90.7-FM

Listen to “SoundTent At Camp Sherwin” and my curated set of works for the radioCona:0.2425 soundart exhibition from Ljubljana, rebroadcast on WGXC 90.7-FM Wave Farm Radio, New York.

August 1 – 5, 2016 every night 12.00 – 6.00 (UTC/GMT- 4)

WGXC 90.7-FM schedule.

Pop-out Listen Live Player.

About the exhibition:

This edition of radioCona:0.2425 aims at reflecting and shifting precisely this ‘unperceived’ remainder, making a leap to move from the unit of time to the notion of space, toward perceiving space, toward perceiving, capturing, and composing sounds and soundscapes, and ultimately toward creating autonomous narratives.

The radioCona:0.2425 soundart exhibition was curated by Francisco Lopez, Elena Biserna, Brane Zorman, Irena Pivka, and Jasmina Založnik. Find details about my curatorial selections here.

Performance: Ritual Objects, Central Sounds | The Art Institute of Chicago

“Ritual Objects – Central Sounds” – A Sonic Ceremony
July 14, 2016
6:00PM–7:00PM
Chicago Stock Exchange Trading Room, The Art Institute of Chicago
Free with museum admission; registration required
In this performance I will combine field recordings from Chicago soundscapes with live and recorded sounds by Aurelio, a musician, educator, ethno-musicologist, researcher, sound designer, and sound healer.

Using archaic, contemporary, and invented instruments, artist Aurelio leads an immersive and participatory sonic ceremony recalling the journeys taken by objects featured in Vanishing Beauty: Asian Jewelry and Ritual Objects from the Barbara and David Kipper Collection.

About the Artist:
Through his extensive travels and studies all around the world, Aurelio has become a noted pioneer in the development and manufacture of innovative musical instruments, whether it be simple inviting instruments for beginners, or instruments specially designed for use in sound healing. He is the Creative Director of SVARAM Musical Instruments, Vocational Training and Research Station.

Watch a performance by Aurelio.

 

Report from Balance-Unbalance 2016 in Manizales, Colombia

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Jardín Botánica in Manizales, Colombia on Thursday, May 12, 2016

Greetings! Here is some news from Balance-Unbalance in Manizales. Following my “Eco-sensing” talk on Monday, I presented briefly in a large global Live Audio Streaming Panel with Grant Smith on Wednesday. Video of the panel stream is now archived here on YouTube.

We enjoyed discussing our experiences and ideas about real time location-based audio and environmental listening with a large host of brilliant artists and researchers. It was genuinely a global panel with participants from Australia, Estonia, Korea, Japan, England, and USA.

BunB2015data-scienceThursday and Friday at the Universidad de Caldas, adjacent to the Jardín Botánica, we’re having the “Sounding Colombia” workshop led by members of the World Forum for Acoustic Ecology: Scott Smallwood and Stephan Moore of the American Society for Acoustic Ecology, and Emmanuel Galvan of the Foro Mexicano de Ecología Acústica (Mexican Forum for Acoustic Ecology), with Grant Smith of the UK-based Soundcamp.

Visit the Balance-Unbalance 2016 website and view the Soundscape Concert program.

Balance-Unbalance helps convene people with a great body of knowledge and ideas. We can come together again for World Listening Day: Sounds Lost and Found on Monday, July 18, and through the week of July 16th-22nd, to explore one of most important ways we have to understand and design our world, through soundscape awareness and listening.

All the best,
Eric

WATER WORKS! Friday-Saturday 18-20 March

waterworks2016I am one of the curators for WATER WORKS! the 2016 Waterwheel online sharing event devoted to water in its social, economic, scientific, and artistic manifestations. Over this weekend people around the world can sign in for free to host or watch events at the Tap.

My four selected works are “Railroad Storm Drain” by Christopher DeLaurenti; “Unter Grund” by Christina Kubisch & Eckehard Güther; “von der rheinquelle bis hafen karlsruhe | rhein_strom,” by Thomas M. Siefert & Lasse-Marc Riek; and Jay Needham‘s “Liquesce 1.”

Our Tap is Water Works! 4, with Ricardo Dal Farra and Leah Barclay. It opens at 22:00 CDT. Again, the Tap is free to sign in and interact with anywhere in the world. Program, dates & times are posted at http://bit.ly/program-WaterWorks.

Over 150 contributors responded with a total of some 260 contributions accessible on the Waterwheel Media Centre. 22 curators assessed the contributions and will present a selection in a series of seven online panels on the Tap on 18-20 March 2016. Join the live streams at http://water-wheel.net/taps-list. 

 

Sound Department Colloquium Series – Feb 25

image

Scene from “SoundTent At Camp Sherwin,” a dawn chorus transmission event with The Radius (Episode 63), on May 2, 2015.

SOUND DEPARTMENT COLLOQUIUM SERIES

SPRING 2016

ERIC LEONARDSON
Thursday, Feb. 25th,
4.15 p.m.

Room 522,
112 S Michigan

This presentation open to all School of the Art Institute of Chicago (SAIC) students, staff, and faculty.

Find the poster (PDF) here.