I led a 3-day workshop in mid-June, 2018 for over 20 graduate students of the International Media Cultural Work program at the Dieburg Media Campus of Hochschule Darmstadt. Their prompt, “How do you actively others in listening for everyday sounds” was performed in the public finissage of their exhibition at the Rathaus and Museum Schloss Fechenbach on Sunday, June 24 in Dieburg.
The start of this new year brings a special time for peaceful reflection, planning, performing, production, and fellowship during my 25-day residency at Ragdale. This is my third residency here since 2015. Ragdale is an interdisciplinary artists’ community established in 1976 in Lake Forest, Illinois by poet Alice Judson Hayes, the granddaughter of architect Howard Van Doren Shaw.
Taking the Waters | Eco Design Riverworks Chicago | School of the Art Institute of Chicago
Oct 30th – Nov 7th
33 S State Street 12th Floor
An interactive transient external partnership sound mapping and community engagement series of classes that visualize and reimagine a regenerative world.
Talk About for Taking the Waters
Monday Nov. 6
12:15 -12:45 PM, AIADO exhibit space
Eric Leonardson, SOUND; Linda Keane, AIADO
FISH Hotel Raffle to Follow
Conversation with Sound and Eco Design Students
Our panel discussion for the Balance-Unbalance 2017 “Sense of Place” conference in Plymouth, UK streams on YouTube Live. Advances in Eco-Sensing and the Soundscape: A Virtual Panel takes place at 2:20-3:20pm BST (8:20-9:20am US CDT), on Wednesday, August 23.
Their individual and combined efforts engage and activate students and public communities in design of urban soundscapes using virtual environments, social codes of immigrant communities, river listening, soundwalking, plant communication, art-science collaborations, and new media.
I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.
Ryan Griffis and Sarah Ross, Research photograph for A Great Green Desert, 2016.
I am serving up some sounds for a special dinner on Thursday, a part of the exhibition The Earth Will Not Abide. Nourish your body and feed your mind with conversation around the politics of sustainability.
Thursday, May 18, 2017 – 6:00PM to 8:00PM
400 S. Peoria St.
The dinner will explore topics of food waste and our collective relationship to agriculture. Nourish your body with a farm-to-fork prepared meal by Chef Abra Berens and feed your mind with conversation around the politics of sustainability. More…
Sound composition created for the exhibition Go in the Modern Wing of the Art Institute of Chicago.
February 23–June 4, 2017
Modern Wing, Abbott Galleries 182–184
Art Institute of Chicago
159 East Monroe Street
Chicago IL 60603
My audio composition reflects and embodies the sensation of speed, rapid technological change, and cacophony using selected works from the canon of 20th Century music. These are mixed with my own sound compositions and recognizable real world sounds that document experiences, sensations, and devices for acceleration and breaking barriers of time and space. Many are iconic of artists’ interests in using technologies of speed, echoing the visual and kinetic artworks on display.
The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.
The conference dates are April 7–9, and location is Sao Miguel Island, Azores.
Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!
This edition of radioCona:0.2425 aims at reflecting and shifting precisely this ‘unperceived’ remainder, making a leap to move from the unit of time to the notion of space, toward perceiving space, toward perceiving, capturing, and composing sounds and soundscapes, and ultimately toward creating autonomous narratives.
In this performance I will combine field recordings from Chicago soundscapes with live and recorded sounds by Aurelio, a musician, educator, ethno-musicologist, researcher, sound designer, and sound healer.
About the Artist: Through his extensive travels and studies all around the world, Aurelio has become a noted pioneer in the development and manufacture of innovative musical instruments, whether it be simple inviting instruments for beginners, or instruments specially designed for use in sound healing. He is the Creative Director of SVARAM Musical Instruments, Vocational Training and Research Station.