— ericleonardson (@eleona) August 27, 2017
Our panel discussion for the Balance-Unbalance 2017 “Sense of Place” conference in Plymouth, UK streams on YouTube Live. Advances in Eco-Sensing and the Soundscape: A Virtual Panel takes place at 2:20-3:20pm BST (8:20-9:20am US CDT), on Wednesday, August 23.
I’ll be leading a panel with Lindsey French and Linda Keane at The School of the Art Institute of Chicago, sound and media artists Leah Barclay in Brisbane, Amanda Gutiérrez in Mexico City. Grant Smith of SoundCamp will facilitate on-site in Plymouth, UK.
Their individual and combined efforts engage and activate students and public communities in design of urban soundscapes using virtual environments, social codes of immigrant communities, river listening, soundwalking, plant communication, art-science collaborations, and new media.
I am excited to be at University of Hull, UK for the Sound + Environment 2017 conference taking place from 29 June to 2 July. It brings together “artists and scientists to examine the ways that sound can deepen our understanding of environments.” On Saturday, 1 July it is my privilege and honor to premiere a new work titled The Frequent Listener.
I look forward to meeting many World Forum for Acoustic Ecology (WFAE) members at the conference, and its two internationally renowned keynote speakers, Chris Watson and Leah Barclay. Continue reading
On Friday, April 8 Amanda Gutierrez and I led a workshop entitled How do soundwalks engage urban communities in soundscape awareness? for Invisible Places: Sound, Urbanism and Sense of Place in Ponta Delgada, São Miguel Island, Azores, Portugal. With Norman W. Long in Chicago, fellow teaching artist who led soundwalks in our Soundwalks In the Parks last year, contributing, Amanda and I provided ideas and, of course, a soundwalk. A productive discussion discussion concluded the workshop. My colleague from Berlin, Antonella Radicchi posted an excellent text and images about the overall conference experience, including our workshop, and her presentation on the Hush City app, “…developed to empower local communities to identify, map and evaluate quietness on their neighborhoods.”
Amanda and I will post our own workshop report for the Midwest Society for Acoustic Ecology.
On February 1, 2017 it was my great pleasure to introduce the new issue of a newly formatted WFAE Quarterly News announcing the launch of the organization’s rebuilt website, an active blog, and the publication of the WFAE’s first digital journal, Soundscape: The Journal of Acoustic Ecology, Volume 15.
An invitation to Midwest Society for Acoustic Ecology’s next soundwalk in the Ryerson Woods Conservation Area.
1:00 – 3:00 p.m. Sunday, November 20
Brushwood Center at Ryerson Woods
21850 N. Riverwoods Rd.
Riverwoods, IL 60015
$3/person. Register here or call 224.633.2426 to register by phone.
On this soundwalk I will be engage participants in their experience of the wooded soundscape, and making a sound map of the place, bounded by the Des Plaines River and River Woods Road. A soundwalk, as I offered in this piece, may be conducted in many different ways.
The short “What is a soundwalk?” video offers a media introduction on this practice.
Listening ahead, the final three soundwalks in Midwest Society for Acoustic Ecology’s 2016 Night Out In the Parks series happen in December, in these parks on these dates, with these teaching artists:
- Washington Park, Saturday, December 11 led by Norman W. Long
- West Ridge Nature Preserve, Saturday, December 18 led by Eric Leonardson
- Garfield Park Conservatory, Wednesday, December 21 led by Amanda Gutierrez
The deadline for the 2017 Invisible Places is November 30, 2016. Its focus is sound, urbanism, sense of place, and acoustic ecology. Submit your papers, proposals for artistic residencies, workshops and soundwalks via EasyChair.
The conference dates are April 7–9, and location is Sao Miguel Island, Azores.
Along with meeting wonderful artists and architects, engaging science and society, in the first iteration of Invisible Places in 2014, I served on the international scientific committee and performed solo in the medieval cathedral in Viseu, Portugal, itself a charming place. It was an moving experience and expect the same next year. I hope you will come and participate, too!
Today my piece about World Listening Day 2016 posted on Land Lines, the blog of the Nature Conservancy of Canada.
This year’s theme is “Sounds Lost and Found.” It was devised by Nigerian sound artist, Emekah Ogboh who discussed this earlier today in the #SoundCon x #WLD2016 virtual symposium. This and many other cogent presentations from around the world are archived on the SoundCon.org YouTube Live platform. Read about my own 606 Soundscape project on the Bloomingdale Trail.
Land Lines offers thought-provoking reads about research and discoveries in the conservation field. Interested in contributing? Email firstname.lastname@example.org.
For World Listening Day 2016, I have organized a cohort of teaching artists and musicians who will transform our experience of The 606 & Bloomingdale Trail soundscape in Chicago this Saturday, Sunday and Monday, July 16–18. Events will actively engage in new ways of outdoor listening and sound making. Please visit the 606 Soundscape blog and Facebook Events for the full schedule. Attendance is free and open to all ages.
Along with performances and soundwalks, a global virtual symposium hosted through #SoundCon and the World Listening Project, celebrates World Listening Day 2016 “Sounds Lost and Found.” I give my brief keynote at 8:00 PM (Central time), following Sunday evening’s Sound Treasure Hunt. Watch the live stream via YouTube LIVE.
The 606 Soundscape project is made possible, in part, with support of the Chicago Park District and Trust for Public Lands.
Tuesday, June 7, I am giving a presentation in the Ecoacoustics Congress 2016, held June 6-8 at Michigan State University in East Lansing.
Ecoacoustics Congress 2016 will bring together scientists from around the world for an in-depth conference exploring new frontiers of ecoacoustics research and development. Sessions at this year’s conference will feature:
- Ecoacoustics Environment
- Fresh Water
- Ecoacoustics Impact
- Community/Species Impact
Titled after the course I co-taught with Lindsey French in fall 2015, “Eco-Sensing and the Soundscape” serves as a teaching resource blending ideas and practices of acoustic ecology with the DIY hacking aesthetic of new media in a post-secondary art school curriculum.
Our course blog provides a curricular resource for you to explore and implement, and an outlet for our students’ work.