Posted Thursday, November 12th, 2009 at 11:36 AM |
I’m happy to announce that I have been invited to present in the International Conference of the World Forum for Acoustic Ecology, “Ideologies and Ethics in the Uses and Abuses of Sound”, hosted by the University of Eastern Finland, Cultural Studies Department and the Finnish Society for Acoustic Ecology (FSAE). The conference will happen on June 16-19, in Koli, Finland.
My presentation proposal concerns the recent activities of the Midwest Society for Acoustic Ecology (MSAE).
Confirmed invited and keynote speakers are (in alphabetical order):
Steven Feld, Charles Hirschkind, Bruce Johnson, Anahid Kassabian, Andra McCartney, R. Murray Schafer, Barry Truax and Hildegard Westerkamp. (more…)
Tags: 2010, acoustic ecology, architecture, conference, design, ecology, ethics, Finland, FSAE, ideologies, ideology, Koli, landscape, Midwest Society for Acoustic Ecology, public, sound, soundscape, WFAE, World Forum for Acoustic Ecology
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Posted Thursday, May 21st, 2009 at 1:49 PM |
The May-June, 2009 issue of the World Forum for Acoustic Ecology (WFAE) online newsletter published my report about Megalópolis sonoras: Identidad cultural y sonidos en peligro de extinción (Sound Megalopolis: Cultural Indentity and Sounds in danger of extinction). I attended the conference from 23-27 March 2009, held in Mexico City at the Fonoteca Nacional.
http://interact.uoregon.edu/MediaLit/WFAE/library/newsarchive/2009/03_may_june/index.htm
Find links to my report (PDF and HTML), the papers, and reports by Nigel Frayne, Hildegard Westerkamp, Vivienne Spiteri, Randolph Jordan, and others listed under the Observations and Commentary section. Or, you may use this direct link to download the PDF of my report.
Tags: acoustic ecology, commentary, conference, Coyoacán, cultural identity, culture, download, extinction, Fonoteca Nacional, indentity, Megalópolis sonoras, Mexico, Midwest Society for Acoustic Ecology, MSAE, newsletter, online, photos, publication, published, sonidos, sounds, soundscape, WFAE
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