9:00 PM Friday, September 23

Annette Krebs / Eric Leonardson Duo
Aaron Zarzutzki / Brent Gutzeit Duo
Brian Labycz / Daniel Fandino / Jim Baker Trio
Annette Krebs / Julia Miller Duo

Annette Krebs studied music and concert guitar in Frankfurt/Main, and has lived in Berlin since 1993. She has worked intensively in the crossover area between improvisation and composition, exploring the possibilities of the prepared guitar with regard to sound, structure, noise, the mixing of materials, and space.
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Sunday, March 13 at Enemy

Seeded Plain is Bryan Day (Decorah, Iowa) and Jay Kreimer (Lincoln, Nebraska), two experimental instrument makers who have been performing with new and unusual sounds on instruments made from everyday objects and materials. Their Entry Codes CD on Creative Sources (Portugal) was described as “playfully cranky and enjoyable…well worth the listen.” See their March 2011 Mini-Tour schedule here.

Also on the bill:

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My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4, The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.

This compilation on The Sound of Live Performance assembles those “sound failures, the misassigned patch, unintended playing outcomes, FX overloads, calibrations and pinnacles of performative exploration” that offer sources for eclectic new material.

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The August 2010 issue of furthernoise.org features four reviews of Mimeomeme’s new releases, including my CD, Rarebit with Steve Barsotti.

Mimeomeme is the Seattle-based label for “…unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, tape cut-ups and other oblique, not-yet-classified sonic epiphenomena.”
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I’m happy to announce that the American Society for Acoustic Ecology’s Listening for the Future symposium will take place from Friday, July 9 through Sunday, July 11 in Chicago. Hosted by the ASAE’s Midwest chapter and the World Listening Project this conference is the first of its kind in the United States.

Please visit the Midwest Society for Acoustic Ecology website for details on how to participate.

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Kuro Neko Music has released a recorded live performance of Fred Lonberg-Holm’s “Lightbox Orchestra” at the Elastic Arts Foundation, in Chicago. I performed in the orchestra along with…

Fred Lonberg-Holm - lightbox operator
Todd A. Carter – electronics
Michael Colligan - dry ice and implements
Rob Drinkwater – electronics
Abe Gibson - guitar and electronics
Brian Labycz – electronics
Frank Rosaly - percussion and electronics
Vadim Sprikut – electronics
Aaron Zarzutzki - snare drum

Listen and download the album and others from http://www.kuronekomusic.com/lightbox-at-elastic-arts-3

THE WHITE AIRPLANE“Soundtrack Album”

BRAZILDISC/PHANTOM SOUNDTRACKS release date: 05/26/09

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I have six performances scheduled for October and November, with more being planned. Three happen in the Third Annual Chicago Calling Arts Festival (CCAF3), presented in various locations from October 1—12. Look further down for my other three post-CCAF shows held at Enemy, Myopic, and Elastic. Please check the CCAF3 Schedule page and this web page in case of last-minute schedule changes. (more…)

Rarebit

by Steve Barsotti and Eric Leonardson

Transparency CD0125

Performed and recorded with Steve Barsotti at Experimental Sound Studio in Chicago. From 1994 until 1999 we performed as a duo, and with other local and internationally known artists, including Dan Burke (Illusion of Safety), Carol Genetti, Fergus Kelly, Tatsu Aoki, Chris Heenan, Yuko Nexus6, Yasuhiro Otani, Satoru Wono, Claude Wiley, and many more.

Description:

Rarebit is the culmination of a four-year project in electroacoustic music by sound artists and instrument inventors Steve Barsotti and Eric Leonardson. Their self-built instruments produce remarkable sounds that belie their humble origin. Barsotti and Leonardson’s sense of musical form arises from their deep attention to the individual essences of sounds, rather than the conventional grid of harmony and meter. What results is abstract sound composition that possesses a communicative style. Rarebit will draw comparisons to the sound palettes and ethereal soundscapes of such intrepid purveyors of “left field” and exploratory music as Hal Rammel, Hugh Davies, and Bob Rutman. Nine tracks. Running time 72 minutes.

Rarebit can be purchased from Transparency for $15 ($12 plus $3 postage) to meridianavenue@yahoo.com via PayPal.

My article “The Springboard: The Joy of Piezo Disk Pickups for Amplified Coil Springs” is available now, published in Leonardo Music Journal, Volume 17, by the MIT Press. This year’s issue offers a wealth of articles by Bert Bongers, David Toop, and Peter Blasser, with artists’ statements by Richard Lerman, Brett Ian Balogh, César Dávila-Irizarry, Vic Rawlings, James Fei, Neil Feather, Robert Poss, Kyle Lapidus and Tali Hinkis, hans w. koch, Laura Emelianoff, among many more. Due to the overhwelming response to the call-for-articles an online suplement has been added to accommodate submissions that could not fit within the print version (90 pages) of the journal. For more info, see the Table of Contents: http://www.leonardo.info/isast/journal/toclmj17.html

The journal’s companion CD compilation, “The Art of the Gremlin: Inventive Musicians, Curious Devices” curated by Sarah Washington, features 17 tracks by over 18 electronic artists and instrument inventors. Among them are Norbert Möslang, Haco, Leonardo Di Crappio, Rhodri Davies, Knut Aufermann and Tetsuo Kogawa, and Toshimaru Nakamura.