Sunday, March 13 at Enemy

Seeded Plain is Bryan Day (Decorah, Iowa) and Jay Kreimer (Lincoln, Nebraska), two experimental instrument makers who have been performing with new and unusual sounds on instruments made from everyday objects and materials. Their Entry Codes CD on Creative Sources (Portugal) was described as “playfully cranky and enjoyable…well worth the listen.” See their March 2011 Mini-Tour schedule here.

Also on the bill:

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Originally uploaded by Lantern Projects
Here are photos of the scene on Friday for Jay Needham’s talk, Ars Memoria: Several Alternates Hostories of Place. These images are from Lantern Projects, our host.

Please visit this post again later as I hope to add some audio excerpts, and visit http://mwsae.org/?p=1198 for updates to the MSAE schedule.

I hope you will join me at 7PM this Friday evening, Feb. 18 for a special presentation by sound and media artist Jay Needham, at The (New) Corpse, 1511 N. Milwaukee Ave., 2nd floor, Chicago, Illinois 60622.

Jay will present selections from recent works in a lecture titled Ars Memoria: Several Alternate Histories of Place. Jay will be finishing a chapter on the sounds of Mashinima and planning an evening of radio art and surround sound works for the April 2011 Out of the Box Contemporary Music Festival in Carbondale, Illinois. Jay is an Associate Professor in the Communications Department at Southern Illinois University, and a member of the Midwest Society for Acoustic Ecology (MSAE).

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My work, titled “Feedback.mono” is on Explorations in Sound, Volume 4, The Sound of Live Performance, a net label release curated by Furthernoise editor Roger Mills. The release is a 23 track compilation of noisemakers responding to the theme of the incidental and unexpected audio consequences of live performance, and is free to download with printed sleeve from the February/March 2011 issue of Furthernoise.org.

This compilation on The Sound of Live Performance assembles those “sound failures, the misassigned patch, unintended playing outcomes, FX overloads, calibrations and pinnacles of performative exploration” that offer sources for eclectic new material.

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